Tag Archives: MoogFest

Music, The Features, We Love Music
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We Love Music: Moogfest Pt. 3 (Asheville, NC–4/25/14)

Giorgio Moroder speaks at a panel (Photo courtesy Moogfest)

Giorgio Moroder speaks at a panel (Photo courtesy Moogfest)

Although Moogfest ran for five days, I only truly availed myself of three of them. Sunday’s program, it should be noted, did not run late into the night as did the other days.

On Friday, April 25, the big draw to the show as legendary producer Giorgo Moroder. The 74-year-old Italian synthgod is still working hard, and he was scheduled to make three appearances at Moogfest on Friday–on two panels and one performance.

Unfortunately for me, he didn’t make the panel I caught. It actually was a film and accompanying discussion. Moogfest has within in a small “film festival” as well, screening various Moog-related films around town, and Friday afternoon the Orange Peel screened Scarface. All of the songs sung by Debbie Harry or Elizabeth Daily or others in Scarface were written and produced by Moroder, and he was one of the musical arrangers as well. So the idea was to watch Scarface and then discuss the importance of the soundtrack and score to the film. We received a report, however, that Moroder wasn’t feeling well and skipped the panel in to keep up his strength for his DJ gig that night. So we’ll get back to him in a bit.

Other than Giorgio Moroder, the big draw for Friday was two performances by Kraftwerk. The German quartet put up two shows back to back at the Thomas Wolfe Auditorium, and they both went very well. I caught the first show, which was very good indeed. Doing so compensated somewhat for the fact that I had to miss them at the 9:30 Club two weeks earlier.

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We Love Music: Moogfest Pt. 2 (Asheville, NC—4/24/14)

Janelle Monae speaks (Photo courtesy Moogfest)

Janelle Monae speaks (Photo courtesy Moogfest)

Generally speaking, I’m a night owl, and when I travel I revel in my rare opportunities to own the night–even if owlishly.

That said, my capacity for enjoying the day programming offered by Moogfest was admittedly limited. Out of intense curiosity, however, I was able to rise early enough on Thursday, April 24, to catch some of a presentation by Janelle Monae and her collaborators Chuck Lightning and Nate Rocket Wonder.

The session, titled after Monae’s work “The Electric Lady,” took me to the Diana Wortham Theatre in downtown Asheville’s Pack Place for the first time. The 500-capacity theatre is a great place to catch a chat or a performance of any sort, and I found myself comfortably listening to Monae recount her experiences on tour, creating a series of paintings on stage during performance depicting the self-titled “Electric Lady” in question.

Monae related some of her experiences around the art (music and painting), her feelings about it and her longing for some sort of perfection. She and her cohorts were humbled to report performing at the White House for President Barack Obama and First Lady Michelle Obama a total of five times so far. It gave Monae perspective and inspiration to hear that the First Lady often listened to her music during workouts; she and the others agreed that it gave them an added depth of responsibility to consider the messages behind their music when they knew such influential people were listening to it.

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We Love Music: Moogfest Pt. 1 (Asheville, NC–4/23/14)

Thundercat DJs the roof of the Aloft Hotel (Photo courtesy Moogfest)

Thundercat DJs the roof of the Aloft Hotel (Photo courtesy Moogfest)

I’ve always said that, compared to New York, D.C. is a small, sleepy Southern city. It was interesting then last week to somewhat put my money where my mouth is, and go to Asheville, N.C., a truly small Southern city, to attend Moogfest, the annual festival dedicated to the sounds of the synthesizer, and Moog devices in particular.

For five days, the city of Asheville is anything but sleepy, however, as visitors and residents alike rise at 9 a.m. for lectures, insights, demonstrations, presentations and performances, only to stay out until 2 a.m. every night, dancing their hearts out to the likes of Flying Lotus and Dan Deacon.

For my part, I arrived on Wednesday, April 23, the first day, and journeyed to city center, the location of the Aloft Hotel, a Moogfest sponsor. The hotel hosted the Moogfest Urban Art Installation Activation, a gallery featuring 10 large-scale installations designed to enhance the experience of an audience by engaging multimedia and multi-sensory experiences of sound, structure, light and form.

I headed to the roof for an opening party DJ’ed by Thundercat, a recording artist on Brainfeeder who played at our own U Street Music Hall as recently as last Nov. 26.

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Music, The Features, We Love Music
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The Winning Ticket: Moogfest @ Asheville, NC, 4/23-4/27/14

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We at We Love DC are no stranger to ticket giveaways! But today we have a very unique opportunity with a pair of general admission tickets to a respected music festival that takes place not too far away from our fair city.

We are giving away a pair of tickets to Moogfest in Asheville, NC, on Wednesday, April 23 through Sunday, April 27.

Moogfest 2014 celebrates the synthesizer, and the slate of headliners scheduled to appear this year cross genres and boundaries as groundbreaking artists. The five-day festival features three performances by German pioneers Kraftwerk as well as a dance party featuring disco legend Nile Rodgers and his band CHIC.

You may recall Rodgers recently collaborated with Daft Punk on their Grammy-winning album, Random Access Memories, as did Giorgio Moroder, who will be on hand as a DJ and a guest lecturer. Performance artist Laurie Anderson will present her solo show, “The Language of the Future.”

In addition to these strong headliners and dozens upon dozens of other bands, Moogfest only yesterday announced the addition of the Pet Shop Boys, M.I.A., Flying Lotus and Dillon Francis to the lineup!

Asheville, where synth inventor Bob Moog spent the last 30 years of his life, has been home to Moogfest since 2010. The pleasantly idyllic metropolis hosts Moogfest across a number of venues, including The Orange Peel, one of the most famous concert venues in the country. If you’re up for a road trip, Asheville is an easy seven-hour drive from DC.

For your chance to win these tickets, simply leave a comment on this post using a valid email address between 9am and 5pm today. Feel free to leave any comment, but perhaps tell us what Moogfest artist you would most like to see! One entry per email address, please. Tickets for this show are also available through Ticketmaster.

For the rules of this giveaway…

Comments will be closed at 5pm and a winner will be randomly selected. The winner will be notified by email. The winner must respond to our email within 24 hours or they will forfeit their tickets and we will pick another winner.

The tickets must be claimed with a valid ID. The winner must be old enough to attend the specific concert or must have a parent’s permission to enter if he/she is under 18 years old.

Moogfest
U.S. Cellular Center Asheville
Asheville, NC
Wednesday, April 23, to Sunday, April 27
$199-$499
All ages

Adventures, Entertainment, Music, We Love Music
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We Love Music: MoogFest 2010 (Night Three)

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All photos by the author.

Also check out my MoogFest 2010 (Night One) coverage.
Also check out my MoogFest 2010 (Night Two) coverage.

Night three of MoogFest 2010 quickly flew by in a festival fatigue blur of Halloween costumes and great preformances. I slept right through the Sunday afternoon panels and slowly made my way downtown intending to let the festival take me where it may rather than over thinking the schedule as I normally would. My one constant was that I would be closing out MoogFest at The Orange Peel with El-P. A good judge of a festival line-up is that it should offer you a good time no matter what sets you end up at. Schedule conflicts are par for the course with big festivals, a stress free way to avoid them is to float from stage to stage taking in whatever performance presents itself. After two nights of attacking the festival with the precision planning of a bank heist, I enjoyed a care-free closing night that presented some real surprises that I might have otherwise missed.
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Adventures, Entertainment, Music, We Love Music
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We Love Music: MoogFest 2010 (Night Two)

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All photos by the author.

Also check out my MoogFest 2010 (Night One) coverage.
Also check out my MoogFest 2010 (Night Three) coverage.

My second day of MoogFest began with an afternoon trip to the Moogaplex, to fiddle around with some Moog instruments first-hand and to attend one of the many afternoon discussion panels about the history of Moog instruments. I finally fulfilled a life-long dream of playing a Theremin. I played three different Moog Theremins actually, as well as a few different models of Moog synthesizers. I was not the only one in attendance having fun with the instrument petting zoo. There were about 30 or 40 people anxiously waiting in line to get their paws on a Moog. I can not think of another music festival where the fans get a chance to play with high-tech gear such as this. A very special treat provided by Moog Music.

The panel I attended was a narrated, power-point presentation about the treasure trove of Moog artifacts discovered in Moog’s country workshop and garage after he passed away. Thanks to a Grammy Foundation grant and countless hours of volunteer effort hundreds of documents, artifacts, and recordings have been cataloged and preserved. The panel made it very clear that this is an ongoing preservation effort and that donations would be helpful in saving all of this music history. Within this mountain of Moog documents all sorts of tidbits and trivia are being discovered. One example is that Moog’s first synthesizer prototypes were capable of polyphonic sound.* This was unknown to Moog historians until just a few years ago. The panel was the first time this information was made public; in a most spectacular way. By playing a recording of it.

For about ten minutes, Moog’s sound archivist played selections from rare recordings discovered in Moog’s workshop. These were some of the earliest synth recordings and proved fascinating listens. Two notable recordings were a riotous synth solo by Sun Ra and the earliest known recording by master synthesist Wendy Carlos. I’ll admit it was pretty mind-blowing to hear a recording of Wendy Carlos noodling around with a synthesizer for the very first time!** Hearing some of the earliest synthesizer demo recordings ever made was the perfect way to get psyched up for the performances ahead.

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Adventures, Entertainment, Music, We Love Music
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We Love Music: MoogFest 2010 (Night One)

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all photos by the author except where noted.

Also check out my MoogFest 2010 (Night Two) coverage.
Also check out my MoogFest 2010 (Night Three) coverage.

Last weekend, in scenic Asheville North Carolina, AC Entertainment and Moog Music teamed up to present a revamped and relocated version of the annual MoogFest; a festival celebrating inventor Robert Moog’s massive influence on the world of music. The festival spanned Halloween weekend offering three spectacular nights of music and two days of informative panel discussions and Moog instrument demonstrations. The music schedule offered a perfect blend of sonic innovators, high-energy dance DJs, and envelope pushing Pop acts that showcased the wide-ranging world of electronic music.

The festival took over five music venues in downtown Asheville ranging from a makeshift nightclub in a gallery space, to a dive bar, to the Orange Peel (Asheville’s 9:30 Club equivalent), to the classy Thomas Wolfe Auditorium, all the way up to the cavernous Asheville Civic Center. At times MoogFest felt like two festivals in one; the first, a large-scale non-stop dance party for the party hearty; the second, an equally entertaining but more cerebral music geek nirvana of Moog instrument-fueled performances. The beauty of MoogFest 2010 was watching and listening to these two different worlds of performers and audiences cross-pollinate all weekend long.

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