Joey deBettencourt as Boy and Megan Stern as Molly in Peter and the Starcatcher. Photo by Jenny Anderson.

Before actually seeing it at the Kennedy Center, all I knew about Peter and the Starcatcher was that it was somehow tied into the Peter Pan story. A look at the cast list, however, revealed only one familiar character, Smee (Captain Hook’s legendary sidekick), but no Peter, Wendy, Nana, and certainly no Hook. I also knew the show had won five Tony awards in 2013 during its Broadway run. What I didn’t know was how brilliant and funny it was, how innovative it was, or how incredibly directed it was, leaving me only to question why it didn’t win all the Tony awards. It was certainly worthy of it.

Although it starts out a bit like a Shakespeare play, with the audience just trying to figure out the world in which the show is set, who is who, what is what and how the poetic language is to be interpreted, mere minutes are all that are required to become lost in the fanciful and magical world of creativity. Based on a novel by Dave Barry and Ridley Pearson, writer Rick Elice, directors Roger Brees and Alex Timbers, and a slew of phenomenal designers including Donyale Werle (set), Paloma Young (costumes), Jeff Croiter (lights), and Darron L. West (sound) have envisioned a production so innovative that it’s hard to imagine ever having to sit through any other play without being unimpressed. Continue reading →

Noah Marlowe and Will Blum in Elf at the Kennedy Center. Photo credit: Amy Boyle

There is something about the holidays that brings families to the theatre. People who don’t see live theatre the other 364 days of the year seem to revel in one annual trip with the children and in-laws to see actors sing and dance to melodies rife with sleigh bells and falling snow. Although there are a number of movies about Christmas, stage options until recently were very limited. There was A Christmas Carol, Miracle on 34th Street, and White Christmas. Whether it was because repeated viewings of these shows is extremely monotonous or just because other movies leant themselves to being musicalized, Broadway has recently introduced three new shows into the holiday canon. Now families across America, in taking their annual jaunt to the theatre can also see How the Grinch Stole Christmas, A Christmas Story or Elf. For DC area residents, this year’s musical offering is the latter, based on the 2003 movie starring Will Ferrell as Buddy, a human raised as a Christmas elf who goes to New York City to meet his father, a high-powered book publisher with no holiday spirit. Although closely following the cinematic story, the musical stage version of Elf, playing at the Kennedy Center, doesn’t try to imitate the film, but provides its own take on the story and makes for a very fun family outing.

Being a fan of the film, but not wanting to just see a stage production mirroring the same thing I can see on DVD, I was pleasantly satisfied that Elf was able to keep the integrity of the plot, characters, and humor while, at the same time, giving each of those elements a fresh lift. Continue reading →