All photos by author.
Last Thursday night Canadian indie-dance troupe Caribou made their second stop in DC in six months when they played to a nearly-full Black Cat. This time around they brought Ohio’s psychedelic/electro princes Emeralds along as openers. Combining Emeralds’ intense sonic textures and Caribou’s intricate dance music provided for an interesting evening of music that would have fit right in with last week’s Sonic Circuits Festival.
courtesy of No Age.
While most of DC’s indie-music listeners were reliving past glories watching Superchunk over at 9:30 Club on Friday night, a decent-sized and enthusiastic crowd were dancing the night away to the two of indie-rock’s new breed: junk-techno technicians Holy Fuck and noise-pop purveyors No Age. This show was one of the more interesting stylistic pairings in recent memory with both bands offering radically different sounds while occupying the same altitude of on-the-rise status.
Both Holy Fuck and No Age are touring in support of their third albums, which technically makes them both indie upper class-men, but their noise aesthetic and DIY approach to everything has possibly held them back from tapping the meteoric-rise success model that is being employed by their more pop-oriented peers. In other words, No Age and Holy Fuck are relying less on internet buzz and more on old fashioned word-of-mouth to garner a fan base. Something that No Age should be receiving in spades if they continue to perform at the level they did on Friday night.
It has been too long since The Charlatans UK have played in DC. Too long since I have seen one of my all-time favorite bands. That is what I was thinking as I made my way up the stairs at the Black Cat on Thursday night. When I got upstairs, the Black Cat was seriously empty, so empty in fact that I was beginning to worry that The Charlatans’ forthcoming performance might suffer from the lack of energy in the room. As I easily took position right in front of the stage, I began to wonder, has it been so long since The Charlatans played DC that people have forgotten them? Slowly but surely dedicated fans of The Charlatans and Brit-pop enthusiasts began to fill in around me, but every time I glanced toward the back of the room, all I could see was emptiness. Where are all the people?
Thankfully, by the time Tim Burgess and company took the stage, the crowd had swelled to at least give the illusion that the room was as full as these Mancunian candidates for longest-running Brit-pop band deserve. The Charlatans may be at a point in their career where they don’t really care who shows up anymore though. Thursday’s wonderful show proved that be the turn-out large or small, they are putting on a great show either way.
At home in the UK, The Charlatans are still stadium-filling, festival favorites. In the US, where they never really ‘broke through’ like genre colleagues Blur or Oasis, The Charlatans have always been a specialty club act. I’ve seen them rock the 9:30 Club to adoring crowds several times. Their current tour comes after back-to-back canceled tours, and two albums that did not receive major release in the United States; in other words a 4-year absence from U.S. pop-consciousness that judging from Thursday’s turn-out may have finally marginalized them to being purely a nostalgia act.
Of course, any fan of The Charlatans that is reading this is probably cursing at the computer screen right now. I know I would be, because the case for The Charlatans’ originality and vitality as a group is especially strong when considering their new album “Who We Touch”, which drops in the US today. The new album ushers in yet another series of slight stylistic shifts that show off the versatility and enduring-nature of The Charlatans as a group. The new album is thankfully receiving major distribution in the U.S. and the band has finally physically made it to our shores to play some shows in support of it. Whether people show up for them or not remains to be seen. In DC on Thursday, a medium-sized crowd showed for what I am calling “the best show of 2010 that almost nobody went to”.
By Brittany
“Emergency & I” sounds like home. Released in 1999 on local label DeSoto, it is the essential album of one of the essential bands of Washington, DC, The Dismemberment Plan and, along with other records by the Plan, would go in my desert island jukebox for the music itself, even if it were not the case that everything that mattered to me in high school happened with these songs as the soundtrack.
In January 2011, “Emergency & I” will see it’s first-ever release on vinyl – indeed a two-LP gatefold fancy thing, completely remastered, and including several rare tracks not previously on the album. As was reported by the WaPo Click Track blog the release, now on Barsurk, will also feature “an oral history of the album.”
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courtesy of Silver Mt. Zion.
The latest name variation and line-up incarnation of Efrim Menuck’s Canadian post-rock outfit, Thee Silver Mt. Zion Memorial Orchestra, played to a sparsely attended show at the Black Cat on Wednesday night in support of their latest album, “Kollaps Tradixionales“. Too easily dismissed by many music fans because of its off-shoot from Godspeed You Black Emperor status, Silver Mt. Zion is in its own right one of the mightiest live post-rock acts going. A fact that they proved again and again during their amazing set on Wednesday night. This show was so damn good that I actually felt bad for the nay-sayers, the second-guessers, and the lazy who missed out on Silver Mt. Zion’s unique and powerful performance.
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courtesy of Buzzcocks.
Woo-hoo!!!*
Buzzcocks launched the U.S. leg of their “Another…Bites Tour” at the Black Cat on Tuesday night with an exuberant set of their classic, reverb-drenched, pop/punk, sing-a-longs. Since their early-90’s revival, original members Shelley and Diggle have been performing non-stop in the US and UK. Right up there with Stiff Little Fingers, Buzzcocks are one of the longest running and quality-consistent graduates of the original UK Punk class. To mix it up on this tour the band are performing their brilliant first and second albums back-to-back (both released in 1978) along with “other hits”. While album-entirety shows are becoming quite trendy of late (not that I mind), for Buzzcocks I think this dual-album attack is a great move. As their legacy becomes tied more and more to their ability to write amazing singles (as collected on the essential “Singles Going Steady“) this dual album tour is here to remind us that Buzzcocks were also responsible for crafting some brilliant albums; each with an energy flow, sonic imprint, and lyrical themes that deserve their place in rock history as well. Actually Tuesday night’s show did much more than gently remind us of this fact; in typical Buzzcocks pop-roar fashion the show served as a blaring klaxon alarm that made the relevance of “Another Music in a Different Kitchen” and “Love Bites” impossible to ignore.
Jello Biafra will turn 52-years old in June but you wouldn’t know it from listening to his new album “The Audacity of Hype” or by watching his punk-as-f*ck live show. Fueled by a combination of unyielding political outrage and a bottomless reserve of poetic wit, Jello Biafra has been calling it like he sees it to anyone and everyone who will listen (and sometimes to those who refuse too) for over 30 years. Biafra’s various political platforms have included his legendary, California, punk band, The Dead Kennedys; numerous musical collaborations, several spoken word tours, and most recently his first ‘official’ band in 25 years, The Guantanamo School of Medicine.
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courtesy of Tortoise
Indie-rock elder statesmen Tortoise played the Black Cat on Tuesday night and treated the modest-sized crowd to a set that was representative of their career modus operandi. Somehow their set managed to be simultaneously laid-back and intense in a way that was as mind-boggling as it was enjoyable. Covering the lion’s share of their latest album “Beacons Of Ancestorship” Tortoise once again displayed their utter mastery of genre collision and band member inter-play.
A lot of articles online hail Tortoise as the “godfathers of Post-Rock” and while I don’t particularly agree* I do recognize and enjoy the sea-change impact that they had on indie rock in the mid-1990’s. No one on the indie landscape does quite what Tortoise does in practice or in sound. They are the ultimate instrument playing genre colliders. Tortoise does with instruments what DJs can only dream of doing with an arsenal of samplers; Tortoise swallows difficult genres (Jazz, Krautrock, Prog-Rock, Dub, Punk, the list goes on…) and reconstitutes them into insane progressive mash-ups that evoke their influences in brilliant, discordant, and challenging ways. The fact that they can do all that and still lay down a deeply enjoyable jam is Tortoise’s own special brand of genius.
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By jasmine
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courtesy of ‘Chris Rief aka Spodie Odie’
Some people may be inclined to warm up by a fire during the cold months, but if you’re like me, you prefer to get the feeling back in your hands and toes by dancing it out. Or at the very least, getting your mind blown by some amazing musicians (local and not) in the month of December. The Roots, Erin McKeown, and even some crazy kids who call themselves The Phenomenal Handclap Band will be gracing our city in the next 30 days, so let’s get to the preview!
Right at the beginning of the month, local musician Andy Zipf (and pfriends) will be celebrating the release of his new album, The Long Tail, at the Arlington Cinema & Drafthouse on Wednesday, December 2 ($10, $50 VIP).
Saturday, December 5 The Big Pink is coming to Black Cat ($13). I have to admit, their name didn’t immediately ring a bell with me, but I recognized their song “Dominoes” as soon as it started playing, and I bet that will happen to some of you, too. If you like Matt & Kim, mixed with a little bit of Kings of Leon, and topped off with a British accent, perhaps you should check these guys out. Continue reading
By jasmine
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courtesy of ‘Chris Rief aka Spodie Odie’
Kind of a light month music-wise in November, possibly due to the holiday. Also could be due to the fact that way more people are willing to venture out for a show when it’s nice outside than when it’s blistering cold, as November undoubtedly will be. Most of the fun stuff seems to be clustered toward the beginning of the month, with a few excellent shows right around Thanksgiving, including Peter Bjorn and John, Queen Latifah, The Mountain Goats, and more– so let’s jump right in!
Right up front in November, the Verizon Center is hosting two HUGE names, but for very different audiences: Bruce Springsteen and the E Street Band on Monday, November 2 and Miley Cyrus the next day, Tuesday, November 3. I mean, I guess you can party in the USA and still be down with The Boss, right? Continue reading
By jasmine
‘Colbie Caillat’
courtesy of ‘Martijn vdS’
Oh my, does October bring delightful things. It feels like fall, and that means not only that the leaves are changing color but that we’re in the magical yet short time where the temperature is just chilly enough at night to cool off some of those tiny concert venues a bit but not too cold to have to bring a giant coat.
Check out my completely subjective roundup of all the concerts I’m excited about in October, including The Bravery, Pinback, Colbie Caillat, and even Hanson and KISS after the jump. Continue reading
By jasmine
‘_’
courtesy of ‘Sexy Fitsum’
It’s kind of hard for me to describe the dance party scene in DC, because I have kind of a stream-of-consciousness reaction that involves the words “awesome” “super fun” and “pure joy.” Perhaps the best way to start is to tell you what it’s not: it’s not the club scene. Sure, both involve dancing, but everything from the kind of dancing to the music being played is completely different. There’s no velvet rope with a bouncer letting in the right amount of girls and guys, there’s no Top 40 playlist, and there isn’t even any bumping and grinding (unless you really want to). Continue reading
By jasmine
St. Vincent comes to Black Cat May 22. ‘.’
courtesy of ‘Beard Papa’
Here we are again, with another completely subjective installment of everything worth seeing in May, according to me. Did I miss anything you’re super excited about? Leave it in the comments!
Start May off on a hilarious note by hitting up Super Diamond— the Ultimate Neil Diamond Experience at 9:30 Club Friday, May 1 ($22).
Amazingly, there are still tickets for Gavin Rossdale at 9:30 Club on Sunday, May 3 ($25). Reasons to see him: he’s pretty sexy and is married to Gwen Stefani, plus even if you’re not a fan of his latest single (“Love Remains the Same”), what if he plays that 90’s staple “Adrenaline”? Ah, that brings me back. Good times.
By jasmine
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courtesy of ‘Sexy Fitsum’
Dust off those dancin’ shoes, because the district is chock full of options for getting your groove on this weekend. Tonight is Rock and Roll Hotel’s free Epic Dance Party, with mash-ups of 50 Cent and golden oldies, and DC9‘s Liberation Dance Party ($6). Last time I went to Liberation, it was a great time but the room filled up quickly, so get there early!
I still can’t decide between the Black Cat‘s two options for Saturday night: Mousetrap, full of fun Britpop, or local band Ra Ra Rasputin, which has been described as “a sugar rush of catchy exuberant rock that has no problem keeping their captivated crowd moving.” Decisions, decisions!
By jasmine
‘Exit Clov’
courtesy of ‘flickr-rickr’
This month, people seem to have planned ahead and half the really exciting concerts are sold out! Well, I’ll try to nip that in the bud from now on and post some future shows to watch out for at the bottom. Also seems like there are a lot of dance parties this month, which might be just the thing to get everyone going and ready for summer. But now, onto the music! Continue reading
By jasmine
‘Estelle :: Paramount Theater :: 01.08.09’
courtesy of ‘Julio Enriquez’
Man, March really snuck up on me! There I was, just getting settled into a dreary February, and then all of the sudden here comes the promise of warmer, springtime weather and sweet, sweet music to accompany it.
Head out to Wolf Trap for The Bird and the Bee (w/ Obi Best) on Wednesday, March 4 ($20) for digital-sounding jams with airy vocals on top. They were recently on Ellen performing “Love Letter to Japan,” which is one of my faves. Continue reading
By jasmine
untitled, courtesy of Sexy Fitsum
What better way to start 2009 than a dance party…or four? Dance the recession blues away starting Friday, January 2 with Rock and Roll Hotel‘s Disco City (free), then boogie into Black Cat on Saturday the 3rd for Homo/Sonic, an alternative co-ed dance party for queer folks and their friends ($10).
The next weekend Black Cat bombards you with BLACK CATatonia, featuring DJ DK kickin’ it old skool with two turntables (and probably a microphone) on Friday, January 9 ($5) and Mousetrap, a fun-filled Britpop night, on Saturday the 10th ($10).
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