All photos by the author.
From a lofty brick throne, a voluptuous redhead rules over Adams Morgan, watching and goading all manner of revelry like a contemporary Doctor T.J. Eckleburg. Her territory spans the 18th Street strip; her image an iconic symbol of throbbing crowds, vodka cranberries, and Jumbo Slice pizza.
But just two blocks away from her Madam’s Organ palace stands evidence of a rich heritage that long precedes her reign. Near the corner of 18th and Adams Mill (and now overlooking a Zipcar parking lot), a community has danced, sung, painted and played in the faces of danger and greed for over thirty years, their history preserved in a three-story mural titled “A People without Murals is a Demuralized People.”
Originally painted in 1977 by Chilean brothers and artists “Caco” (Carlos) and Renato Salazar (the first of whom studied at the Corcoran and founded the now-defunct Centro de Arte organization), the work is touted as one of the oldest and largest of DC’s few remaining Latino murals, the last beacon of a wider Latino artistic movement in the city, according to Quique Aviles.