By 
Jesse J. Perez as Florindo and Steven Epp as Truffaldino in Yale Repertory Theatre’s 2010 production of The Servant of Two Masters, directed by Christopher Bayes. Photo by Richard Termine.
When the lights at the Lansburgh Theatre go down and The Servant of Two Masters begins, you know within seconds you’re at a play. Gone is the predictable 9-5 workday, the awkwardness of happy hour networking, the pressures of politics and power struggles. It’s play time, and as such you are invited to loosen your tie, let your hair down, and prepare for an ab workout only laughter can provide.
As a classic example of commedia dell’arte by Italy’s beloved Carlo Goldoni, The Servant of Two Masters relies on only the basic outline of a plot: a young couple wants to get married, but complications arise that prevent them from tying the knot. When a servant arrives to help sort out the problem, he inevitably makes everything worse by attempting to work two jobs at once.