Category Archives: We Love Music

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We Love Music: Moogfest Pt. 2 (Asheville, NC—4/24/14)

Janelle Monae speaks (Photo courtesy Moogfest)

Janelle Monae speaks (Photo courtesy Moogfest)

Generally speaking, I’m a night owl, and when I travel I revel in my rare opportunities to own the night–even if owlishly.

That said, my capacity for enjoying the day programming offered by Moogfest was admittedly limited. Out of intense curiosity, however, I was able to rise early enough on Thursday, April 24, to catch some of a presentation by Janelle Monae and her collaborators Chuck Lightning and Nate Rocket Wonder.

The session, titled after Monae’s work “The Electric Lady,” took me to the Diana Wortham Theatre in downtown Asheville’s Pack Place for the first time. The 500-capacity theatre is a great place to catch a chat or a performance of any sort, and I found myself comfortably listening to Monae recount her experiences on tour, creating a series of paintings on stage during performance depicting the self-titled “Electric Lady” in question.

Monae related some of her experiences around the art (music and painting), her feelings about it and her longing for some sort of perfection. She and her cohorts were humbled to report performing at the White House for President Barack Obama and First Lady Michelle Obama a total of five times so far. It gave Monae perspective and inspiration to hear that the First Lady often listened to her music during workouts; she and the others agreed that it gave them an added depth of responsibility to consider the messages behind their music when they knew such influential people were listening to it.

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We Love Music: Moogfest Pt. 1 (Asheville, NC–4/23/14)

Thundercat DJs the roof of the Aloft Hotel (Photo courtesy Moogfest)

Thundercat DJs the roof of the Aloft Hotel (Photo courtesy Moogfest)

I’ve always said that, compared to New York, D.C. is a small, sleepy Southern city. It was interesting then last week to somewhat put my money where my mouth is, and go to Asheville, N.C., a truly small Southern city, to attend Moogfest, the annual festival dedicated to the sounds of the synthesizer, and Moog devices in particular.

For five days, the city of Asheville is anything but sleepy, however, as visitors and residents alike rise at 9 a.m. for lectures, insights, demonstrations, presentations and performances, only to stay out until 2 a.m. every night, dancing their hearts out to the likes of Flying Lotus and Dan Deacon.

For my part, I arrived on Wednesday, April 23, the first day, and journeyed to city center, the location of the Aloft Hotel, a Moogfest sponsor. The hotel hosted the Moogfest Urban Art Installation Activation, a gallery featuring 10 large-scale installations designed to enhance the experience of an audience by engaging multimedia and multi-sensory experiences of sound, structure, light and form.

I headed to the roof for an opening party DJ’ed by Thundercat, a recording artist on Brainfeeder who played at our own U Street Music Hall as recently as last Nov. 26.

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We Love Music: Boy George @ 9:30 Club — 4/21/14

Boy George Live Concert @ Ancienne Belgique Bruxelles-4938 Kmeron

As Boy George covered a song by Yoko Ono, “Death of Samantha,” in the first song of his encore Monday night at the 9:30 Club, two gents broke out in dramatic dance in front of the coffee bar upstairs. They, like much of the audience at the sold-out show, had giddily enjoyed the entertainment and could no longer hide it. So they seized what opportunity they could to throw themselves into it.

Similar sentiments broke out around the club as Boy George received a hero’s welcome from a diverse crowd of young and old, gay and straight, black and white. Concert-goers expressed their enthusiasm in generally raucous cheer, happy to receive the maverick performer who clearly had been missing from the United States for far too long.

George, for his part, was a professional and gracious performer. At a point about two-thirds through the main set, he attempted to engage audience enthusiasm for an acoustic cover of “It Ain’t Me Babe” by Bob Dylan. After realizing that the dance-hungry crowd wasn’t going to focus enough for the quiet hush of the song, George merely used it as an interlude to segue into other songs from his new album, This Is What I Do, and the new material was very well received by those looking for more of what they expected from the former Culture Club frontman.

That’s not to say Boy George has become a one-trick pony at this point in his career. He wasn’t afraid to go glam or even country from song to song. His voice these days has a husky sweetness that suits the older George, a little weathered, a little wiser. And he used it well in the reggae-flavored dance tunes that dominated most of his set.

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Food and Drink, Interviews, Music, People, We Love Arts, We Love Drinks, We Love Food, We Love Music
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Spotlight: Carlie Steiner and Tea Time DC

Carlie, founder, Tea Time DC

Hey DC, it’s time for tea with one of my new favorite bartenders, Carlie Steiner. I first met Carlie a few weeks ago, and after a few coffees and a rather short meeting, we were already scooting all over town in her new Vespa, Sophia, shooting back and forth about classic cocktails, and quickly becoming fast friends.

If there’s one piece of advice I can give about the food and bev scene in DC, is don’t follow places, follow people. No matter where you go and what you like, I guarantee that if you develop a relationship with a bartender, server, manager, barista, whatever, you will love wherever it is they are working or whatever it is they are doing. Try to get less caught up in what new bars are opening and instead try to make connections with industry people that you like and respect, because if I follow them wherever they go, you’ll have the same great experience every time. And Carlie is one of those people to follow.

Fairly young to the DC bar scene, Carlie started in New York at culinary school, where she honed her skills as a chef, learning valuable techniques to put to use behind the bar and in the kitchen. It’s no wonder then that she was hired right out of school to work the bar at José Andrés’ Minibar, where she made such an impression that she was moved over to his new, experimental cocktail lab, Barmini. Continue reading →

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We Love Music: London Grammar w/Haerts @ 9:30 Club — 4/14/14

London Grammar DrabikPany

A booming sad voice fills the air from the very first song.

“Hey now, letters burning by my bed for you.”

Melancholy yet so very strong, the voice of Hannah Reid of London Grammar is so powerful an instrument that you are forced to wonder if she could simply tour as an a cappella act and be tremendously successful solo.

But no. Given a bit of time at Monday night’s sold-out performance by London Grammar at the 9:30 Club, the gentle guitar of Dan Rothman and playful keyboards and drums from Dot Major swell under the vocals and provide each song with a full sound, as with the opener, “Hey Now.”

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Hot Ticket: Pat Green @ 9:30 Club, 4/16/14

patgreenCountry singer Pat Green released a second album of covers, Songs We Wish We’d Written II, in 2012. With his cover series, the Texas country artist explores more of the influences in his nearly 20-year career with songs like Joe Ely’s “All Just to Get to You.” But he also surprises by reaching outside of his genre with a song like “Even the Losers” by Tom Petty, to which he adds his affable demeanor and mellow croon.

Green is probably best known for his song “Wave on Wave,” which hit #3 on the U.S. Country chart in 2003. He makes his mark with his easygoing, laidback style, which serves as hallmark to that song and others. Tomorrow, Green performs at the 9:30 Club, which may not be a traditional venue for country artists. But after selling out shows by Loretta Lynn, why shouldn’t the 9:30 Club host some country folks who can work D.C.’s best space? Pat Green might just fit that bill.

Pat Green
w/ Cory Morrow
9:30 Club
Wednesday, April 16
Doors @7pm
$35
All ages

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We Love Music: The Sounds @ 9:30 Club — 4/12/14

Maja sings at Jesper in Philadelphia

Maja sings at Jesper in Philadelphia

The Sounds brought plenty of shake-shake-shake to the 9:30 Club Saturday.

In a very nearly totally sold-out room, the Swedish quintet kicked off the night with “Emperor,” a song from their new album. If some in the audience didn’t know it that well, the band got their attention with better-known “Song with a Mission” from their popular second album, Dying to Say This to You, and kept the crowd jumping and squealing in delight for the rest of the night.

All members of The Sounds performed with a furious energy. Vocalist Maja Ivarsson was in good form, singing huskily through selections from all five of the band’s albums as she writhed, hopped and slinked across the floor. Ivarsson however did not perform too many of her trademark kicks Saturday. I caught The Sounds earlier in the week at the Union Transfer in Philadelphia, and Ivarsson was striking out with her legs in dramatic fashion as she pranced along the stage in heels with some disregard as to how much of her underwear she showed off. Still, Ivarsson stomped and vamped through the set — at one point during the end of the show, she even slid down on her belly to sing seductively into a microphone that had fallen on the ground.

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Hot Ticket: Space Oddity: A David Bowie Dance Party

media.digest

There is no more important figure in modern rock history than David Bowie. And there’s a Bowie party you should put on your calendar for Thursday, April 10, at the Satellite Room–Space Oddity: A David Bowie Dance Party!

I’ve long called Bowie “The Godfather of New Wave,” as he married glam guitar to synthesizers and produced a blueprint that revolutionized European pop music in the late 1970s. An entire subset of fashionistas, the New Romantics, took their inspirations directly from him and wrote amazingly intricate dance songs that still endure today.

Bowie the man, the myth, the icon still inspires today, as he has for more than four decades.

In my opinion, Hunky Dory with the likes of “Life on Mars?” and “Queen Bitch” was his first thoroughly great album, but he then followed that up with the opus The Rise and Fall of Ziggy Stardust and the Spiders from Mars, perhaps everyone’s favorite Bowie album. During the very prolific years that followed, Bowie produced the famous Berlin trilogy—Low, Heroes and Lodger—and then hit his commercial zenith with the amazing Let’s Dance soon after. He put out a new album every several years, taking any significant break only recently 2003-2013. Last year’s The Next Day was an absolutely wonderful return, for which Bowie deservedly won a BRIT Award.

So a Bowie party should be an impressive undertaking as diverse and as captivating as the man himself. In New York City, they have an excellent fellow named Michael T., who performs regularly at Bowie parties (hosted by Twig the Wonderkid) and himself is practically a Bowie impersonator. But here in DC, we haven’t had as many Bowie parties. The last major one that I recall was in 2007 at the Rock and Roll Hotel—hosted in part by our own perfect fellow to produce a Bowie party, DJ Chris Strange (who always capably adapts, like Bowie, to his environment with his partner in crime DJ Medusa).

DJ Ed Metaphysical will spin Thursday’s Bowie party, and I’ve heard good things, although I’ve never personally caught the man in action. All of the cool cats will be there, and so should you!

Space Oddity: A David Bowie Dance Party
Satellite Room
Thursday, April 10
Show @10pm
Free!
21+ to drink

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Hot Ticket: All That Remains @ 9:30 Club, 4/9/14

All That Remains (Photo by P.R. Brown)

All That Remains (Photo by P.R. Brown)

DC has been enjoying an interest in all things metal lately, particularly with the spectacular Spirits in Black monthly at various locations and Monday Heavy Metal nights at Satellite Room.

So it’s a perfect time to get out tomorrow and catch All That Remains as they hit the 9:30 Club Wednesday as they prepare to release their seventh studio album in the near future. Meanwhile, the band recently released a video for their song “What If I Was Nothing” from their last album, 2012’s A War You Cannot Win.

Sonically, A War You Cannot Win covers a lot of ground! Songs like the opening track “Down Through the Ages” and “You Can’t Fill My Shadow” are prime examples of the “metalcore” for which the band is known–howling hardcore choruses over thumping metal guitar riffs. Watching the video above, however, you would accurately conclude that the band is not without its sensitive side, capable of breaking out sweeping ballads to express wistful reflections of sorrow. Metalheads can be sensitive too!

Clearly, these guys have some tricks up their sleeve. Come out and see what other surprises they have in store for us!

All That Remains
w/ Darkest Hour, Wilson, Wings Denied
9:30 Club
Wednesday, April 9
Doors @7pm
$20
All ages

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We Love Music: Kraftwerk @9:30 Club—4/4/14 (By Christine Hall)

Kraftwerk graphics (Photo by Christine Hall)

Kraftwerk graphics (Photo by Christine Hall)

(Editor’s note: Long-time Kraftwerk aficionado Christine Hall was kind enough to report on last week’s Kraftwerk concert — a very important show indeed — as yours truly was out of town.)

Robots! Space travel! The Autobahn! For those who yearn for what was once “the future,” Kraftwerk’s sold-out, two-show, 3D spectacular at the 9:30 Club on Friday, April 4, was wondrous.

The best part was the man in the machine.

The artistic concept is impressive: four man-machines in matching neoprene uniform-jumpsuits (in an irregular, phosphorescent grid), expressionless and stationary before (luminescent-trimmed) cuboid synthesizers, making robot-music, accompanied by retro-3D animation (and some black-and-white film sequences).

Versions or elements of the show were previously presented at New York’s Museum of Modern Art, London’s Tate Modern and Munich’s Lenbachhaus. Visually, the 3D animation, ca. 1980s/early CGI, is thrilling to behold (through good old-fashioned 3D glasses), especially when a flying saucer bears down on you with unsettling urgency (see: Spacelab) or a giant man-machine head peers around and speaks at you rather eerily.

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The Winning Ticket: Galantis @ 9:30 Club, 4/24/14

GalantisFAs a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader periodically. Keep your eyes open for opportunities to find out what tickets we’re giving away, and leave a comment for your chance to be the lucky winner!

Today, we are giving away a pair of tickets to see Galantis at the 9:30 Club on Thursday, April 24.

For your chance to win these tickets, simply leave a comment on this post using a valid email address between 10am and 5pm today. Feel free to leave any comment, but perhaps share your favorite song by Galantis (or one of their related projects)! One entry per email address, please. Tickets for this show are also available through Ticketfly.

Galantis! They came to dance! Galantis is Christian Karlsson of Miike Snow and Linus Eklöw aka Style of Eye. They are making their live debut at Coachella on April 12 then embarking on a brief tour that ends at the 9:30 Club on April 24. They will bring with them their self-titled debut EP, which includes dance tracks such as “Smile” and “Revolution.” Lest you wonder what these gents know about dance (I mean, other than the Miike Snow thing), Karlsson has co-produced tracks such as “Toxic” for Britney Spears and Eklöw produced “I Love It” for Icona Pop. So there you go.

For the rules of this giveaway…

Comments will be closed at 5pm and a winner will be randomly selected. The winner will be notified by email. The winner must respond to our email within 24 hours or they will forfeit their tickets and we will pick another winner.

Tickets will be available to the winner at the 9:30 Club Guest List window one hour before doors open on the night of the concert. The tickets must be claimed with a valid ID. The winner must be old enough to attend the specific concert or must have a parent’s permission to enter if he/she is under 18 years old.

Galantis
9:30 Club
Thursday, April 24
doors @10pm
$30
All ages

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We Love Music: Blouse and Dum Dum Girls @ Black Cat — 3/22/14

Dee Dee Penny of the Dum Dum Girls (Courtesy of Sub Pop Records)

Dee Dee Penny of the Dum Dum Girls (Courtesy of Sub Pop Records)

The Black Cat hosted two female-fronted bands well worth an evening of listening on a sold-out Saturday night.

Blouse, a synthpop trio from Portland, Ore., recently traded their keyboards for guitars on their second album, Imperium. They opened for the Dum Dum Girls, the increasingly popular quartet from Los Angeles celebrating a third full-length release with Too True. This music reporter was pretty happy with both bands overall thanks to the shades of 80s post-punk that shown through in the music of their two sets.

Given my predilections, you’ll have to excuse me — when I first heard Blouse, I absolutely was hooked by their first album, and it’s been difficult for me to fairly judge their second by the standard that it set. I took notes during the show only to find myself scribbling praise for the songs from the band’s first self-titled album from 2011.

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We Love Music: NO. @ DC9 – 03/20/14

NO

Try to Google “NO.” and you’ll have a hard time finding this LA – Echo Park specifically – based rock group. But keep looking (hint: add “Echo Park”,) the extra 5 seconds of typing/navigation will land you with a band that, after their performance at DC9 last Thursday night, is a strong contender for my artist of the year.

I stumbled across this relatively unknown indie rock group after returning home from another concert and mindlessly turning on my basic cable TV while I fixed myself some noms. Unfortunately, Carson Daly was on. Fortunately, NO. had just begun their set.

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We Love Music: Cut Copy @ Echostage — 3/20/14

Cut Copy (by Michael Muller)

Cut Copy (by Michael Muller)

The first time I saw Cut Copy, the band performed with The Presets at the 9:30 Club in a September 2008 show that people universally remember as being really damn good.

Part of the reason for the success of that show was some pretty strong material the band released earlier that year in its sophomore album, In Ghost Colors, which was all around a great album. Indeed, I’ll go so far as to hail it as one of the Very Important Albums of the past 10 years—a definitive moment in the full embrace of New Wave-inspired dance music as indie kids again were deciding that dominant synths were not only socially acceptable but completely desirable. At Echostage on Thursday, March 20, the audience still gave its biggest reaction to “Hearts on Fire” and “Lights and Music” in the Cut Copy setlist, underscoring how those songs have managed to stick in the collective consciousness of the dancehall masses.

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Hot Ticket: Little Daylight @ Sixth and I Historic Synagogue, 3/25/14

littledaylightFresh from SXSW, Brooklyn trio Little Daylight are set to join fellow bands Terraplane Sun and Flagship in what’s being billed as the “Three of Clubs” tour, hitting the Sixth and I Historic Synagogue in DC on Tuesday, March 25.

I single out Little Daylight, soon to release their first full-length album, Hello Memory, because they represent a kind of music I always adore — great electronic dance music with cool female vocals, as showcased by their latest single, “Siren Call.”

Nikki Taylor, Matt Lewkowicz and Eric Zeiler got their start remixing singles for the likes of Passion Pit and Edward Sharpe and the Magnetic Zeroes but now they have broken out as a full-fledged dreampop band with some catchy tunes that somehow bear ambient atmospherics over strong rhythms. Check out their video for “Overdose” and see for yourself.

The Three of Clubs tour also includes Flagship, from Charlotte, NC, (some of us may have seen them open for The Wombats at the 9:30 Club) and Terraplane Sun, from Venice Beach, CA.

Three of Clubs Tour
Terraplane Sun, Flagship and Little Daylight
Sixth and I Historic Synagogue
Tuesday, March 25
Doors @7pm, show @8pm
$15.00
All ages

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Q&A with Steve Hackett (performing @Lincoln Theatre, 3/26/14)

Steve Hackett live color publicity photo credit www.iconphoto.chSteve Hackett, formerly of Genesis, is one of the world’s greatest guitar players. And he’s bringing the classic Genesis catalog to a tour of the United States starting with a show in DC at the Lincoln Theatre in a little over a week on Wednesday, March 26. We Love DC had the remarkable opportunity to chat with Hackett about the show, what else the future may hold for him and his advice for young guitarists! We also couldn’t resist asking a bit about Peter Gabriel and Phil Collins, his old bandmates in Genesis (with whom he was inducted into the Rock and Roll Hall of Fame in 2010).

Mickey McCarter: I’m excited to see you’re coming to DC next week. Can you tell us a little bit about the show? What can we expect?

Steve Hackett: It’s a show of Genesis music that was written between ’71 and ’77. It’s classic Genesis. I’m doing exclusively Genesis music on that show. We have a six-piece band.

It hails from the era when we worked as a five-piece and we had five different writers — Peter Gabriel, myself, Tony Banks, Mike Rutherford and Phil Collins. I’m highlighting the era when the band was at its most creative, I think.

I took this show last year on the road and it took off in such a big way. We ended up doing a show in London and we have a DVD from that which is just finished.

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We Love Music: Krist Novoselic Plays ‘Royals’ with The Cowards Choir & The Beanstalk Library

Photo Credit: Roxplotion

Photo Credit: roXplotion /// Pictured: Krist Novoselic (left) and Andy Zipf of The Cowards Choir (right).

DC rockers The Cowards Choir and The Beanstalk Library got to add another rock and roll story to their journals this week: performing with Nirvana bassist Krist Novoselic.

The instrumental cover collaboration of Lorde’s Grammy-winning song ‘Royals’ happened on Sunday, March 9 at a FairVote event hosted by Republic in Takoma Park. The performance – which featured Novoselic on accordion – has since been mentioned by several musical outlets online including Pitchfork, Stereogum, and Rolling Stone.

But how did these two DC-based bands land one of the most unique gigs of their professional lives thus far? Continue reading →

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Hot Ticket: Steve Hackett: Genesis Revisited @ Lincoln Theatre, 3/26/14

SteveHackettF (1)
Steve Hackett first revisited material by the prog-rock band Genesis in a 1996 album of reworked songs by the band. And in 2012, he did it again, recording lush guitar solos with various guest singers who reinterpreted selections from the six classic studio albums Hackett made with the band.

Hackett is taking Genesis Revisited II on the road starting with a date in D.C. on Wednesday, March 26 at the Lincoln Theatre.

It’s a rare stateside opportunity to see a guitar master in his element, playing the songs that put him on the map. After all, he’s likely to revisit guitar classics like “Horizons” (from Foxtrot) and “Dancing with the Moonlit Knight” (from Selling England by the Pound).

According to his Wikipedia entry, Hackett refined several guitar techniques for the age of classic rock, introducing tapping and sweep picking to a new genre of songs. The end result sounds great on the recordings, which manage to capture a bold mystic and occasionally romantic sound. But let’s not put our stock in critics and recordings. Let’s go see the man himself and hear him live.

Steve Hackett: Genesis Revisited
The Lincoln Theatre
Wednesday, March 26
doors @7pm
$45-$65
All ages

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We Love Music: U.S. Royalty @ P.O.V. Live, the W Hotel — 3/6/14

U.S. Royalty (Photo by Guy Aroch)

U.S. Royalty (Photo by Guy Aroch)

The W Hotel hosted U.S. Royalty for a vinyl turntable release party for the band’s second album, Blue Sunshine, Thursday as part of its P.O.V. Live series in its rooftop lounge. People packed the venue to listen to a free show and drink a new beer from DC Brau, aged in Buffalo Trace barrels.

Fans of the D.C.-based band were in high spirits, and there were many singalongs and impromptu danceaways when the band took to the stage for a healthy set. Blue Sunshine was initially released in January, so it seems like a lot of folks had time to learn the words to recite along with singer John Thornley and company.

Prior to the concert, the band sat down with an interview conducted by Svetlana Legetic of Brightest Young Things. For U.S. Royalty, it proved to be a good opportunity to launch a charm offensive, where they spoke plainly about their love of D.C. and their desire to land a record contract with a major label.

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We Love Music: Ex Hex @ Black Cat — 3/5/14

exhexMary Timony’s new band is a breath of fresh air.

The three ladies of Ex Hex played a catchy and relaxed 10-song set of fuzzy glam-pop and even added a few songs in an encore in the first performance of their first major tour at the Black Cat Wednesday. They were extremely polished, their workmanship honed in other bands clearly on display, producing a concert experience quite unlike seeing many other new bands.

And Ex Hex is sure to pick up some of that “new band buzz” in the coming month, as they are going to sneak in at least one performance at SXSW in Austin on March 12 (playing for Pitchfork at the French Legation Museum at 4pm). Meanwhile, they sold out the Black Cat’s backstage with an enthusiastic if diverse mix of alt-rockers, cuddling couples and bona-fide D.C. notables (yes, Ian MacKaye was there). It’s an impressive start out of the gate for a band that only played its first show back in October.

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