Category Archives: We Love Music

Music Reviews & News

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We Love Music: This Will Destroy You @ DC9 6/10/10

This Will Destroy You
courtesy of Girlie Action.

The Texan, post-rock quartet This Will Destroy You played DC9 last Thursday. As I type this review several days later, I am still reeling from their titanic performance. I am tempted to free-style gush about it here, but instead I will break the evening down into pieces to help my brain sort out the chaos that is left in the wake of their visit to the nation’s Capital. In other words, rather than shout “Godzilla!” and start jabbering in incomprehensible language as I try to describe This Will Destroy You laying waste to everything in their path; I will try to provide you with a semi-coherent write-up of Thursday night’s show.

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Entertainment, Music, The Daily Feed, We Love Music
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Hot Ticket: This Will Destroy You @ DC9 6/10/10

This Will Destroy You
courtesy of This Will Destroy You.

Look at the friggin’ graphic. When I came across the above image while researching the post-rock quartet, This Will Destroy You, I knew that I had found just about everything I would need to convince you to go to this concert. Not only are This Will Destroy You a post-rock band on the rise; they also have awesome taste in artwork. I am as stunned by the hilarious genius of that graphic as I am by TWDY’s soul-stirring, earth-shaking instrumental music.

This Will Destroy You are a band that beautifully harness subtlety in their music while obviously discarding it completely to market themselves. Just look at their name: THIS WILL DESTROY YOU. Now look at that awe-inspiring graphic again. It tells you everything you need to know about the band and what they will bring to their live performance at DC9 tonight. TWDY’s guitars will sound like the howl of a wolf, the roar of a mountain lion, and the scream of an American eagle combined! This show will be mighty and the audience will quake under the sonic assault of This Will Destroy You. Come to DC9 tonight and watch as they unleash material from their forth-coming album “Tunnel Blanket”.

This Will Destroy You are joined by Chicago psych-rockers, Light Pollution and Brooklyn atmospheric strings act, Slow Six. These three bands playing together should make for one crazed evening of majestic guitar and sonic bliss.

This Will Destroy You
w/ Light Pollution & Slow Six
$12 @ DC9
Doors at 8:30 / Show at 9:00

Entertainment, Music, People, Special Events, We Love Music
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We Love Music & Comedy: Conan O’Brien – The Legally Prohibited From Being Funny On Television Tour

Conan O'Brien Legally Prohibited Tour

Tuesday night had me back at DAR Constitution Hall to witness the madcap hilarity of the Conan O’Brien Legally Prohibited From Being Funny On Television Tour. I don’t think I need to recap how Conan lost his Tonight Show gig to its former host, other than to mention how that extremely public NBC scheduling conflict resulted in one of the oddest forms of comedic revenge I have ever witnessed. The whole point of Conan O’Brien taking his variety show on the road is to keep America laughing while exacting sweet revenge on the ratings dead-weight that replaced him on air. For two months now, Conan O’Brien, his writers, and his band have been criss-crossing America delivering knock-out evenings of comedy and music. Tuesday night’s stop in DC was no different and provided the sold-out Team CoCo crowd with a non-stop night of comedic genius.

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The Winning Ticket: Blitzen Trapper

Blitzen Trapper

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

For our first giveaway, we have a pair of tickets to Blitzen Trapper at the 9:30 Club. These experimental folk rockers will be playing the 9:30 Club on Monday, June 14th.

Blitzen Trapper are touring in support of their latest album “Destroyer of the Void”; a sprawling, electric-folk album that plays like the perfect soundtrack to an imagined Super-8, vacation film shot by a bored, sixteen year-old on a family road-trip across Kansas. It is an album that sonically hearkens back to late 60’s folk-rock while evoking classic mid-western imagery with an undercurrent of uneasy tension. It makes me think of grainy film images shot from the backseat of a moving station-wagon: leaning barns, tilted telephone poles, rows of corn, gravel roads, and weather-worn faces. Blitzen Trapper are currently a sextet of very serious looking men who I am sure will employ all manner of inventive instrumentation to recreate their imagination-inspiring music when they play the best sounding club in town next week.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. Tickets for this show are also available through Ticketfly. If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts.

For the rules of this giveaway…
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We Love Music: The National @ DAR Constitution Hall 6/6/10

The National @ DAR Hall #2 6/6/10
“The National at DAR” courtesy of Samer Farha.

The National are blowing up huge in 2010. Of that there is no question. Their latest album “High Violet” debuted at number three on the Billboard Top 200 when it dropped last month. It has been nearly impossible to avoid their massive campaign of television and festival appearances, rave album reviews in print and online, and their inventive use of web-isodes and internet video exclusives. When a band gets pushed this hard it gives one pause. Do they have the chops to back it up or is this all a smoke screen to sell shoddy product? In the case of The National it is readily apparent to the listener of “High Violet” or the attendee at one of their concerts that this is a very talented band that has hit their stride.

“High Violet” is the fifth album by The National. Their style has evolved over the years from alt-country inflected pop albums to a darker and emotionally huge sound (that frankly suits the band better). “High Violet” rounds out a trilogy of excellently written and performed albums. It is preceded by “Boxer” and “Alligator“. Vocally all three albums have just the right balance of melancholy, introspection, and frustration to provide a wealth of emotion to the listener. Musically The National have become more and more interesting with each of these three albums. “Boxer” may represent a lush musical peak for the band, but it is on “High Violet” that they employ just the right measure of restraint to their large sound, lending real gravity to their lyrics.

The National performed to a sold out crowd at DAR Constitution Hall on Sunday night. Like their last three albums, their live show proved that The National are seriously talented and exciting performers. The show heavily mined “High Violet”, “Boxer”, and “Alligator”; perfectly blending great songs from all three to balance moments of emotional honesty, musical cacophony, and pop brilliance. For a band that features lyrics of such introspection and woe, The National provide a surprisingly powerful and energetic concert that more than once had me thinking of The Cure and U2. After experiencing The National live on Sunday night, I imagine, that much like those two long-running and massively successful bands, The National could have a long and successful future crafting ever-evolving emotional pop music.
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We Love Music: Fear Factory & Prong @ Jaxx 6/3/10

Fear Factory @ Jaxx 6/3/10
courtesy of Fear Factory.

Last week I took the trip out to Jaxx in Springfield to catch the industrial-metal, throw-back, double-bill of Prong and Fear Factory. Motivated mostly by nostalgia for two bands that I was a fan of in the 1990’s, I trekked out to suburban VA’s, heavy metal, bunker, Jaxx to head-bang and mosh with one of the most aggressive and devout crowds I have seen in a decade. The entire experience felt like I had tripped into a space-time continuum hiccup and teleported back to 1995.

In 2010, Heavy Metal is still a hugely popular genre but inside the beltway its fans trend toward a more intellectual appreciation of the heavy stuff. I would say that I fall into this camp as I greatly enjoy post-metal bands and the more experimental and envelope-pushing a Metal band gets the more interested I become. Unfortunately, DC is also home to an enclave of hipster Metal “fans” who listen to the older stuff with sly ironic grins; a position I loathe because it seems to be more about mocking the music than appreciating it. While I have been enjoying the Metal experimental frontier for years, I believe a true Metal fan’s love of the genre must be founded in the classics of the genre; loud as an air raid, heavy as a ton of bricks, and finger-bleeding fast.
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We Love Music: Mono @ 9:30 Club 6/2/10

Copyright 2010 Randolph A. Smith

I have been tossing around the word “epic” an awful lot in conversation lately when describing concerts that I have attended. I do that on occasion; get stuck on a word or phrase that is an easy descriptor. A verbal short-cut to get to the gist of what the listener missed by not attending a particularly good show. For a long time it was “rules!” and “kicked ass!”. I still fall back on those now and again. It annoys me when I catch myself repeating these things over and over again. It annoys me because it slightly devalues these phrases and robs them of their power when they are truly applicable in writing. Lately my word has been “epic” because I truly feel that I have been lucky enough to recently attend some epic events. Epic in either sound, significance, or both.

Wednesday night’s visit to the 9:30 Club by Japanese post-rockers Mono was EPIC. Note the use of all-capital letters. I use them because there is no other word to describe Mono’s first-ever concert at the 9:30 Club and I want you to really appreciate the magnitude of EPIC-ness I am talking about here. I use all-caps in an attempt to jump-start this word that I have been over-using of late, because I have no other word to describe how huge and impressive it was when Mono performed on Wednesday night.

In 2005, I saw Mono perform in a space no bigger than a living room on a patch of worn carpet as a stage. That show was my pick for best set in-and-around DC in 2005. It was an evening of true music nirvana. The intangible thing that I spend my life in search of. I was so shocked, enlightened, and blown away by that show I couldn’t even bring myself to write about it for months. I was speechless. I have seen Mono perform many times since and they have become one of my favorite bands of all time to watch in concert. However, none of their shows quite matched the greatness of that 2005 set – until now.
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Entertainment, Essential DC, History, Life in the Capital, Music, News, People, Special Events, The District, We Love Music
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We Love Music: The 9:30 Club 30th Anniversary Concert

Bob Mould performing at the 9:30 Club 30th Anniversary concert
“Bob Mould” photo taken by author.

“The reason this is the best club in America is the people that work here. Trust me, most nightclubs are terrible places. You don’t want to go there.” – Neill Fallon of Clutch.

“I can not imagine a DC without the 9:30 Club. It is unimaginable. It’s just unimaginable” – Mark Noone of The Slickee Boys.

“I love the fact that I’m from DC!” – Henry Rollins

“Let’s kick on the way back machine and get this thing over with.” – Bob Mould.

One of the truly singular music events I have ever attended took place on Monday night at the 9:30 Club. It was a special free concert held in celebration of this legendary club’s 30th anniversary. The night was also a celebration of the people who work (and have worked) there, the icons who got their start there, and the wonderful music that has been played there over the last 30 years. The night was full of anecdotes and music from 13 bands and artists that have strong ties to both the old and new 9:30 Club locations. For some the evening was a living, breathing, crash course in DC music history; for others it was a fun and at times even emotional trip down memory lane.

The 9:30 Club (original location) is the nightclub I cut my teeth on when I moved here in 1993. Within a few days of arriving I was catching my first show there (British twee-band Heavenly); and in the months and years after many, many more shows followed. I once took a date there to see The Boredoms and she left with a black-eye. My little brother did his first stage dive when I took him there to see Helmet. I was completely enthralled with industrial music after hearing Einstruzende Neubauten on the PA before the melodramatic, dynamite-strapped Sheep on Drugs brought the house down with their industrial-dance mayhem. And I was seduced along with everyone else in the crowd by Toni Halliday and the sounds of Curve. The old club opened my mind to most of the music that I still passionately love today.

The V st. location is without a doubt the best club-venue in the country. I’ve been to concert halls all over the U.S.A. and it always comes back to the 9:30 Club’s awesome sound-system (which I have written/gushed about at length over the years). Seeing a concert at the 9:30 Club is a sublime experience for a die-hard music fan. Perhaps none more-so than the amazing show that club-owner Seth Hurwitz treated dedicated DC music fans to on Monday night.

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Entertainment, Essential DC, Fun & Games, Life in the Capital, Music, Night Life, People, The Features, We Love Music
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We Love Music: June Music Preview

Photo courtesy of
‘Earth Day Concert Dancers’
courtesy of ‘Mr. T in DC’

Memorial Day is over, we’re on to June, and that means outdoor concerts and music festivals galore! The District’s got them all this month: Jazz, Folk, Blues, Rock, Pop, Acoustic — even crafts, dance, and all the culture you can stomach in one day (or over the course of many).

Here’s a look at June’s top “tickets” to get your butt outside and reap the benefits of living in a city where the world’s cultures collide with a wide-variety of  well-established American traditions. Continue reading →

Entertainment, Music, The Features, We Love Music
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We Love Music: Big Sam’s Funky Nation

Photo courtesy of
‘BeachTrombone-7’
courtesy of ‘gas_station_sushi’

It’s rare in Jazz music to see a trombone player in the role of band leader. Some of the greatest and most remembered names in Jazz among the vast majority of Americans include: Louis Armstrong, Dizzy Gillespie, Charlie Parker, Benny Goodman, Billie Holiday, Sonny Rollins, Herbie Hancock, Miles Davis, and Thelonious Monk. None of those players ever once led a band with trombone in hand.

While there are notable Jazz greats who played the slide trombone while commanding a room and conducting a band, it still remains common place to have a trumpet be the focal point. Big Sam leads on trombone.

Big Sam was always a big boy. In the 6th grade, he was 6 foot tall and 200 pounds while playing little league basketball. When the time came that he grew out of playing the sport – literally – Sam approached his school’s band leader and asked him what instrument they needed someone to play.

Sam’s band leader replied, “The trombone.”

“What’s that?” Sam said. That’s all it took to hook him.

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We Love The 9:30 Club

Photo courtesy of
courtesy of ‘phillsea’

It is no secret that I love seeing bands perform at the 9:30 Club. Their epic sound system can take a decent band from good to great and can elevate the cream-of-the-crop from great to legendary. I have seen hundreds of shows at the 9:30 Club (both old and new) and look forward to many more. I anxiously await bands I love playing the 9:30 Club for the first time. It is a great experience listening to them get their hands on that wonderful sound system and filling that massive high-ceiling room with sound. Case in point: Japanese, post-rockers Mono on June 2. I have seen them play on almost every tour in numerous venues and I guarantee that none of those shows will sound as good as their first time at 9:30 Club next week.

This year the 9:30 Club turns 30 years old. Between its original location (and namesake) at 930 F st. NW and its current super-venue at 815 V st. NW the club has been supplying Washington DC with underground music, emergent bands on the rise, and intimate performances by super-stars for three decades. To celebrate this anniversary the 9:30 Club will host two very special concerts this holiday weekend. The first is a unique performance by Richard Cheese and Lounge Against the Machine on Sunday night. This dean of humorous lounged-up rock and rap cover songs will treat the audience to an evening full of his renditions of songs by bands integral to 9:30 Club’s long and impressive musical history. This concert is $40 and begins at 6:30pm on Sunday.

On Monday, the 9:30 Club will play host to a truly spectacular, free-event hosted by DC-favorite son Henry Rollins. The event will feature hand-picked acts that have played an important part in the club’s story and will best represent the club’s unique place in DC and alternative music history. “We wanted to do something really different, we want to be surrounded by people who have made this place special, and we found out from the Virgin Mobile FreeFest how much fun it is to give tickets away, so we combined it altogether for our 30TH Anniversary concert,” said I.M.P. Chairman and co-owner of the 9:30 Club Seth Hurwitz. I can think of no better way to celebrate the 30th anniversary of this grand concert hall that truly represents the musical soul of our fine city.

Details on the 30th Anniversary Concert (including a partial line-up) after the jump.
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We Love Music: Thee Silver Mt. Zion Memorial Orchestra @ The Black Cat 5/19/10

Thee Silver Mt. Zion Memorial Orchestra at Black Cat 5/19/10 courtesy of Silver Mt. Zion.

The latest name variation and line-up incarnation of Efrim Menuck’s Canadian post-rock outfit, Thee Silver Mt. Zion Memorial Orchestra, played to a sparsely attended show at the Black Cat on Wednesday night in support of their latest album, “Kollaps Tradixionales“. Too easily dismissed by many music fans because of its off-shoot from Godspeed You Black Emperor status, Silver Mt. Zion is in its own right one of the mightiest live post-rock acts going. A fact that they proved again and again during their amazing set on Wednesday night. This show was so damn good that I actually felt bad for the nay-sayers, the second-guessers, and the lazy who missed out on Silver Mt. Zion’s unique and powerful performance.
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We Love Music: Spectrum @ Velvet Lounge 5/13/10

spectrum at velvet lounge
courtesy of Spectrum.

It was a psychedelic throw-down at the Velvet Lounge on Thursday night when Spectrum dropped in to kick-off their current U.S. tour. In what is easily the best live set I have personally seen performed at the Velvet Lounge, the equipment heavy 4-man unit turned the tiny stage into their own personal sound laboratory and dazzled the small but dedicated crowd with an explosive evening of controlled feedback and groovy repetition.

For the uninitiated Spectrum is the most traditional of the many music projects led by Peter Kember aka Sonic Boom. Sonic Boom was one of the members of the hypnotically brilliant Spacemen 3, a legendary UK guitar band from the 80’s underground. Since Spacemen 3’s demise in the early 90’s, Sonic Boom has been pushing the envelope with experimental projects like Experimental Audio Research and Spectrum. The material Sonic Boom records as Spectrum began with a sound very similar to his former band but quickly evolved away from guitars and for many years became based around vintage keyboards and organs. His music has always maintained a ‘head’ music atmosphere even with the move away from guitars and feedback into tone drones and synth symphonies. On Spectrum’s latest EP, “War Sucks“, the band’s sound seems to be cycling back into guitar freak-out territory. I first saw Spectum at All Tomorrow’s Parties NY in 2008. The set was an equal mix of keyboard and guitar manipulations that also featured a nice dose of Spacemen 3 songs. The whole 2008 set was a laid-back fuzz-fest. So it was with the new EP and the 2008 show in mind that I went into Thursday night figuring the concert could go either way. In other words I didn’t really know what to expect.
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We Love Music: Public Image Ltd. @ 9:30 Club 5/12/10

Public Image Ltd. at 9:30 Club 5/12/10
courtesy of PiL.

“Somoza may be a son of a bitch, but he’s our son of a bitch.” – rumored FDR quote about Nicaraguan dictator Anastasio Somoza García.*

I couldn’t help but think of this quote as John Lydon aka Johnny Rotten aka “Uncle John” took the stage at the 9:30 Club on Wednesday night. Lydon is one of the ultimate love/hate figures in music history. For every brilliant stroke like the Sex Pistol’s ‘Bodies’ or PiL’s ‘Rise’ there is an equally hypocritical public statement or ticket price outrage to offend anew. So I was not very surprised when a lot of professed fans of Public Image Ltd balked at attending Wednesday night’s concert. After all it was over-priced and the quality of a reformed (not reunited) PiL was a huge question mark. Lydon has a lot of audacity expecting sold-out crowds 18 years after the band’s last performance or album, especially after the radically mixed reviews received for the Sex Pistols reunion tours of the late-90’s and mid-00’s. And yet there I stood with a club full of people anxiously waiting for Lydon to challenge us with his noisy, confrontational, anti-pop onslaught. As I stared at the giant PiL banner behind the stage and the growing crowd I thought, John Lydon is a son of a bitch, but (if you love his music) he’s our son of a bitch.

For me, with regard to bands, front-men, legends, and their egos, it boils down to music first, personality second. I worship the Sex Pistols and think that Public Image Ltd. was one of the most inspired and brilliant career/style shifts in music history. Lydon’s ego aside, I was on-board for this show from the get-go. My two-song preview of PiL at the Coachella Music Festival left me confident that Public Image Ltd.’s 9:30 Club show was going to be something special. I had no clue just how special this show would turn out to be.

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We Love Music: Buzzcocks @ The Black Cat 5/11/10

Buzzcocks at The Black Cat 5/11/10
courtesy of Buzzcocks.

Woo-hoo!!!*

Buzzcocks launched the U.S. leg of their “Another…Bites Tour” at the Black Cat on Tuesday night with an exuberant set of their classic, reverb-drenched, pop/punk, sing-a-longs. Since their early-90’s revival, original members Shelley and Diggle have been performing non-stop in the US and UK. Right up there with Stiff Little Fingers, Buzzcocks are one of the longest running and quality-consistent graduates of the original UK Punk class. To mix it up on this tour the band are performing their brilliant first and second albums back-to-back (both released in 1978) along with “other hits”. While album-entirety shows are becoming quite trendy of late (not that I mind), for Buzzcocks I think this dual-album attack is a great move. As their legacy becomes tied more and more to their ability to write amazing singles (as collected on the essential “Singles Going Steady“) this dual album tour is here to remind us that Buzzcocks were also responsible for crafting some brilliant albums; each with an energy flow, sonic imprint, and lyrical themes that deserve their place in rock history as well. Actually Tuesday night’s show did much more than gently remind us of this fact; in typical Buzzcocks pop-roar fashion the show served as a blaring klaxon alarm that made the relevance of “Another Music in a Different Kitchen” and “Love Bites” impossible to ignore.

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Entertainment, Music, Night Life, The Features, We Love Music
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We Love Music: The Constellations

The Constellations

A fan in Santa Fe once called The Constellations a real-life version of The Royal Tannenbaums. That sentiment is true.

This band of Atlanta brothers and sisters agree. The Constellations embody the highly intelligent nature of the disillusioned Tannenbaum family. All they’re trying to do is carve a path and find themselves in the process.

The Constellations have a two and a half year rotating line-up change to blame for their eclectic approach to music making. For frontman Elijah Jones and the rest of the gang, the studio is the playground and the instruments are the toys. Continue reading →

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We Love Music: Echo & The Bunnymen @ The Black Cat 4/30/10

Echo & The Bunnymen, Ian McCulloch, Will Sergeant
courtesy of Echo & The Bunnymen.

Echo & the Bunnymen played to a sold out Black Cat on Friday night. It was a rescheduled date from their canceled Fall 2009 tour.

Ian McCulloch wore sunglasses and a long coat over his sweatshirt. He smoked many cigarettes and told many, many indecipherable anecdotes. His singing voice sounded spot on and mentally he held it together through most of the set (contrary to what I have heard of earlier Bunnymen tours this century). It was during the encore that Ian began to ramble on with medleys and tributes that stretched some of Echo’s best songs to their breaking points. I won’t say that this aging post-punk genius isn’t due his eccentricities though. All told, minus the encore nonsense, he gave us an excellent show chock full of fan favorites. Original member Will Sergeant was there too, killing it on guitar. The backing band was very tight. If you closed your eyes you would think you were listening to the 80’s line-up. Except for the keyboards which seemed to disconnect slightly in the set’s later half.

I last saw Echo & The Bunnymen play in 2003 in Spain in front of a massive crowd (50k?) at the Festival Internacional de Benicassim. That show was totally rock star. It looked and sounded epic. Friday night’s show was intimate and informal. Ian and the band hardly seemed to be putting on a show at all. The feel was very relaxed as if the band were playing for old friends rather than paying customers. Judging from the very warm reception the band received, in a way I guess they were.
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We Love Music: May Music Preview

Photo courtesy of
”
courtesy of ‘erin m’

April showers bring May flowers, but what does the May DC music scene bring to all of you? Good question. Here’s the answer: Freedom. Complete freedom … as far as prices are concerned. There’s a whole bunch of free concert series and performances to keep your ears occupied and dancing shoes satisfied. Here are a few of my picks as we begin this transition month into the dog days of summer. The way I see it, May is a good practice-run for the overwhelming amount of free events throughout the city come June, July and August. So train well, my young musical padawans, train well. Continue reading →

Entertainment, Music, People, Special Events, We Love Music
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We Love Music: The Rock Bottom Remainders @ 9:30 Club 4/21/10

The Rock Bottom Remainders at 9:30 Club 4/21/10
courtesy of The Rock Bottom Remainders.

On Wednesday night, at the 9:30 Club, I went one of the weirdest concerts I have ever attended. The Rock Bottom Remainders have to be one of the most unique and unlikely cover bands of all time. The band is composed of best-selling authors turned amateur musicians, who live out their collective rock-star fantasy by performing less-than-perfect versions of rock-n-roll classics while occasionally wearing wigs, costumes, and silly hats. We are talking about book industry heavy hitters like Scott Turow, Amy Tan, Dave Barry, and Mitch Albom. As MC Roy Blount Jr. joked they are the only band that has sold more books that The Beatles.

I first heard about The Rock Bottom Remainders in the 1990’s while working at Reprint Bookshop, a wonderful and now sadly closed independent bookshop. The band had a kind of mythical status as stories of their rare sightings were told by my co-workers as if they were akin to the Loch Ness Monster or Big Foot. I have always been curious about this literary rock band with a rotating line-up of best-selling authors (at one point even Stephen King was a member!), but I never thought that I would have the opportunity to see The Rock Bottom Remainders perform.

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Adventures, Entertainment, Music, We Love Music
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We Love Music: Coachella Valley Music & Arts Festival 2010

Coachella Music Festival Banner courtesy of Coachella Valley Music & Arts Festival.

Everyone knows that sometimes the best way to appreciate where you live is to get away for a little while. It is also true that sometimes the best way for a music critic to reboot his love of music is to attend an awesome music festival without an impending review deadline hanging over his head. This past weekend I did both when I attended the Coachella Valley Music & Arts Festival in Indio, California.

This was my third Coachella (2004, 2007*, 2010) and I think it is without a doubt the best music festival in the United States. After a three-legged, 12-hour journey by plane, I made my way into the California desert to enjoy some of the best music on the planet for three days. The weather was beautiful, the music was excellent, and I got the re-charge I was looking for. I decided to write mini-reviews of the bands I caught and to post them here for those who follow my music writing. Keep in mind, I was focused on enjoying the music this weekend without my reviewer’s hat on. So these little reviews are more personal and less detailed write-ups of the bands I saw over this great weekend.

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