Entertainment, Music, We Love Music

We Love Music: Slayer w/ Megadeth @ 1st Mariner Arena

I know every self-respecting heavy metal fan is looking at the title of this article and wondering “where the f*ck is Anthrax?”. It is true that Anthrax opened the show in Baltimore on Wednesday night but I did not get to see much of their set. Try the last part of their last song only. Thank you Baltimore for forcing a show to start the minute the doors opened to get the small army of metal fans in and out of the Inner Harbor as quickly as possible. Seriously, my buddies and I made good time on our drive from DC to Baltimore, only to be shocked that Anthrax were saying their “Thank you, good night” the minute we took to the arena floor. It was 7:36 and Anthrax had already played their full set. FAIL.

Anthrax rant aside, the rest of the Jagermeister Fall Music Tour aka American Carnage II otherwise known as Clash Of The Titans Tour Redux was a head-banging, air guitar dueling, kick ass, good time. Megadeth performed their classic album “Rust in Peace” and then some with arena-metal showmanship that, frankly, I forgot still existed. Slayer then took the stage to perform their second masterpiece “Seasons in the Abyss” along with a sampler of their greatest hits and delivered a mammoth set of skin-peeling intensity. The show was a fun mix of somewhat silly 80’s Metal nostalgia followed by a virtuoso performance by the best Metal band in the business.

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We Love Music: The xx / Warpaint / Zola Jesus @ 9:30 Club 10/5/10

I’ve got some good news and I’ve got some bad news. Which do you want to hear first? I suppose I will begin with the good news because there is much less of it to share than there is bad news to break. But first some simple facts to set the scene.

The xx played the 9:30 Club on Tuesday night. It was their fourth(?) concert in DC of 2010. This time they were fresh off a prestigious Mercury Prize win (British album of the year) for their debut album and performing as headliners to a sold out 9:30 Club. Midwestern, indie-Goth revivalist Zola Jesus and L.A. art-rockers Warpaint were the opening acts. Zola Jesus played first.

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The Winning Ticket: Built To Spill

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

Up for grabs this week, we’ve got two tickets to see legendary indie-rockers Built To Spill perform at 9:30 Club on Friday, October 8th.

Built to Spill were one of the best indie-rock bands of the 90’s and their show on Friday is the latest concert in their mid-00’s reunion tour that never seems to end. Not that anyone could complain about having one of the best guitar bands ever cranking out new albums and playing hundreds of new shows. Led by Doug Martsch’s inventive and expansive guitar melodies, Built To Spill in concert is a guitar lovers dream come true.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. Tickets for this show are also available through Ticketfly If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts.

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Entertainment, Music, We Love Music

We Love Music: SWANS @ Black Cat 9/29/10

Swans @ Black Cat
all photos by Erin McCann.

Imagine being trapped inside a tiny unit at a self-storage building that is on fire. You are trapped inside this 5×8 corrugated metal coffin and it is filling with smoke. Imagine yourself panicking, pounding on the walls, walls that keep getting hotter and hotter. You are roasting. Your sweat stings your eyes and soaks through your clothes. Now hear your own cries for help bouncing off of the burning walls, listen as the echoes turn into screams. Welcome to the existential terror that is seeing SWANS in concert.

Michael Gira, the spiritual leader of the group, has pulled together a new aural torture squad under the SWANS moniker after nearly 13 years of inactivity. SWANS are legends of the New York, post-No Wave, noise-rock scene. Gira used the group to explore a broad range of psychological torment music during their original run from ’82 to ’97. Rumors had been circulating the web for about a year that Gira was putting together a new SWANS line-up and album. By the Spring, we had confirmation in the form of some demo recordings appearing on his various websites. Last month SWANS released a very strong new album entitled “My Father Will Guide Me Up A Rope To The Sky”. On Wednesday night, at the Black Cat, Michael Gira and his SWANS performed their second concert of the 2010 reactivation tour. It was an experiment in terror that the crowd of devout fans and the sonically curious happily subjected themselves too.

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Entertainment, Music, We Love Music

We Love Music: Film School @ DC9 9/28/10

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all photos by author.

I had been experiencing a pretty intense week of live music and was feeling a tad spent by the time Film School’s show on Tuesday night appeared on my calendar. It was my undying love of shoegazer music in general and my appreciation for Film School’s latest album “Fission” that kept me going just long enough to crawl into DC9 for the show rather than collapse in an exhausted heap on my doorstep. Film School delivered a delightfully laid back set of dreamy music that provided the perfect sonic pillow for me to rest my tired ears on.

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Entertainment, Music, We Love Music

We Love Music: James @ 9:30 Club 9/27/10

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all photos by Andrew Markowitz.

As a music writer, I love using the pandora premium free membership to keep up with the latest songs which are being released. I carry an arsenal of rubrics with me with which to measure the success or failure of a show. How did the crowd respond? How did the performance measure up against other bands in the genre? And so and so on. For the most part, the biggest gun I’ve got is my music nirvana test; close my eyes, let the club lights dance on the insides of my eyelids, and see if the music can or can’t take me to another place. These are all conscious thoughts I have at a show; when a band can get me truly experiencing their music rather than thinking about it, they are passing my ultimate test. It is rare when a band can meet and then blow past that high standard, but James at the 9:30 Club on Tuesday night did just that.

There are very few concerts that have brought tears to my eyes. When James came out for their second glorious encore to answer the emotional, joyous demands of the crowd-that-would-not-leave and launched into ‘Tomorrow’, I was shocked to discover that tears of joy and empathy were streaming down my cheeks. Great live music is as close to having religion as I get and concerts like this are what make me a believer. This concert was a transcendent good time and easily one of the very best of 2010.

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Entertainment, Music, We Love Music

We Love Music: Atari Teenage Riot @ Sonar 9/24/10

Last Friday, Atari Teenage Riot performed on the Club Stage at SONAR in Baltimore. It was their only DC-area concert and one of their first shows in the United States since 1999. The world has changed quite a bit since this digital-hardcore terror cell was originally active and their reformation and reactivation in 2010 is as random and surprising as their debut was so many years ago. Their Baltimore show was a chance to see what Alec Empire and his crew have in store for audiences in 2010 and an opportunity to answer the obvious question surrounding ATR’s return. Why reactivate now?

The performance Atari Teenage Riot delivered on Friday night was an inspired evening of sonic brutality that was less about breaking new musical ground or politics and more about celebrating ATR’s and Alec Empire’s legacy in music. It was a blistering ear assault that revisited ATR’s original 1990’s noise-campaign and showed that even after eleven years the music world has still not completely caught up to their intensity or creativity.

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Entertainment, Fun & Games, Music, We Love Music

The Winning Ticket: Rogue Wave & Midlake

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

This week we are giving away a pair of tickets to catch Midlake and Rogue Wave co-headlining at the 9:30 Club on Friday, October 1st.

I have to be honest here. I don’t have a clue who these bands are or who their fan-base is. So rather than insult your intelligence with some phony write-up (because that’s just not my style, you dig?), I’ll simply direct you to their Myspace pages and let you sample their wares for yourself: Midlake and Rogue Wave. If you like what you hear, take a crack at those tickets! Or if you happen to be a huge fan of one or both of these bands, then say it loud and say it proud in your comment.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. Tickets for this show are also available through Ticketfly If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts.

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We Love Music: Caribou w/ Emeralds @ Black Cat 9/23/10

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All photos by author.

Last Thursday night Canadian indie-dance troupe Caribou made their second stop in DC in six months when they played to a nearly-full Black Cat. This time around they brought Ohio’s psychedelic/electro princes Emeralds along as openers. Combining Emeralds’ intense sonic textures and Caribou’s intricate dance music provided for an interesting evening of music that would have fit right in with last week’s Sonic Circuits Festival.

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Entertainment, Music, We Love Music

We Love Music: Virgin Mobile FreeFest 2010 @ Merriweather Post Pavilion 9/25/10

Virgin Mobile FreeFest 2010 was just about as perfect a day as one could ask for. The weather was phenomenal, the crowds and lines were manageable, and the music was spectacular. An irresistible atmosphere of fun prevailed over Merriweather Post Pavilion as Virgin and I.M.P. presented three stages jam-packed with a variety of great musical acts. The one genre that eclipsed all others however was dance music; the day featured a killer line-up of electronic-inspired groups that kept a large portion of attendees in a near-constant state of dance-frenzy.

I split my FreeFest experience between the Dance Forest and the Main Stage. Although I intended to check it out, I did not venture over to the West Stage once all day; thanks in large part to the caliber of the performances I was already watching. From Will Eastman dropping some DJ science early in the day all the way through to LCD Soundsystem’s mega-finale, I had a fantastic time at Virgin Mobile FreeFest 2010.

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Entertainment, Fun & Games, Music, We Love Music

The Winning Ticket: James

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

This week’s giveaway contest is so good, I’d enter it myself if they would let me! Today we are giving away a pair of tickets to see Brit-pop legends, James perform at 9:30 Club on Monday, September 27th.

Not only is it incredibly rare to catch James live stateside (even though DC is lucky enough to get them twice in two years) but their new album “The Morning After The Night Before” is also their best work in years. I have been listening to the new one non-stop since it dropped last week and I am stunned at how “peak of their powers” James sounds after all these years. Everyone knows James from their big early 90’s hit “Laid”, but I’m here to tell you that as great as that song is, James have produced a deep catalog of even more stunning music over the years. Tim Booth and the band are without a doubt some of the best live Brit-pop performers I’ve ever seen and this concert is one of my most anticipated of 2010.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. Tickets for this show are also available through Ticketfly If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts.

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Music, We Love Music

We Love Music: Music Marathon Overload! @ 2010 Sonic Circuits Festival

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“Fuse Ensemble”all photos by author.

With the 2010 Sonic Circuits Festival of Experimental Music and Beyond quietly raging across our region this week, I felt compelled to sample at least one of their outsider music showcases. On Sunday, I found myself in the Old Town Hall of Fairfax, a brilliantly restored old building, watching a variety of acts representing the wide range of styles Sonic Circuits covers. Sunday’s Music Marathon Overload! featured about 15 bands for $15 and ran from 11am to 11pm – a mind-melting 12-hour block of experimental music that only those of the strongest constitution could really survive. In the interest of mental self-preservation, I decided to partake of the second half of the Overload and sat in on the evening’s programming. It was an evening full of inspiring music made by people, toys, and furniture-come-to-life that I won’t soon forget.

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Entertainment, Music, We Love Music

We Love Music: No Age w/ Holy Fuck @ Black Cat 9/17/10

courtesy of No Age.

While most of DC’s indie-music listeners were reliving past glories watching Superchunk over at 9:30 Club on Friday night, a decent-sized and enthusiastic crowd were dancing the night away to the two of indie-rock’s new breed: junk-techno technicians Holy Fuck and noise-pop purveyors No Age. This show was one of the more interesting stylistic pairings in recent memory with both bands offering radically different sounds while occupying the same altitude of on-the-rise status.

Both Holy Fuck and No Age are touring in support of their third albums, which technically makes them both indie upper class-men, but their noise aesthetic and DIY approach to everything has possibly held them back from tapping the meteoric-rise success model that is being employed by their more pop-oriented peers. In other words, No Age and Holy Fuck are relying less on internet buzz and more on old fashioned word-of-mouth to garner a fan base. Something that No Age should be receiving in spades if they continue to perform at the level they did on Friday night.

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2010 Sonic Circuits Festival Of Experimental Music & Beyond

It may come as a surprise to some that Washington DC is in the vanguard of the global experimental music scene. There is a plethora of locally-based acts creating noise and atmospheric improvisational music, turning found sound into symphonies and traditionally non-musical objects into instruments. Every time I check it out, this DC-based scene seems to get larger, as the existing groups inspire new musicians and amateurs to let their freak-flags fly and their musical imagination run wild. As the DC scene begets new acts locally, the global noise/improv scene looks to DC as a friendly enclave for their outsider music thanks to the large, open-minded fan-base that lives here.

Sonic Circuits
is a group, backed by the non-profit organization Improv Arts Inc., that serves as the primary promotion engine for the thriving DC experimental music scene. They organize and host shows year-round in the DC Metro area that showcase some of our areas best, brightest, and weirdest musical acts. Since 2001, Sonic Circuits has hosted a yearly, week-long festival in Washington combining the best local acts from this underground scene with some of its most interesting artists and groups from around the world. The 2010 Sonic Circuits Festival Of Experimental Music & Beyond begins this Saturday, September 18th. There are activities planned for every night of this week-long festival. The festival concerts take place at multiple venues in DC, Maryland, and Virginia. Full festival schedule, venue, and ticket information can be found here.

Find my Hot Ticket picks for the 2010 Sonic Circuits Festival after the jump.

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Entertainment, Fun & Games, Music, We Love Music

The Winning Ticket: Billy Bragg

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

This week’s prize is two tickets to catch legendary, political singer/songwriter Billy Bragg in concert at 9:30 Club on Sunday September 19th.

Billy Bragg needs little introduction. His 30-year career writing and performing punk-tinged alt-rock and folk music full of conscience-challenging political observations and honest love songs has made him a legend in the UK and an underground hero in the United States. Known in the UK for his far-left political leanings and never one to censor himself when discussing his take on the current state of world politics, Bragg’s shows in the nation’s capital have a reputation for stirring the audience’s political passions as much as they entertain.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. Tickets for this show are also available through Ticketfly If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts.

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We Love Music: The Charlatans UK @ Black Cat 9/9/10

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all photos by author.

It has been too long since The Charlatans UK have played in DC. Too long since I have seen one of my all-time favorite bands. That is what I was thinking as I made my way up the stairs at the Black Cat on Thursday night. When I got upstairs, the Black Cat was seriously empty, so empty in fact that I was beginning to worry that The Charlatans’ forthcoming performance might suffer from the lack of energy in the room. As I easily took position right in front of the stage, I began to wonder, has it been so long since The Charlatans played DC that people have forgotten them? Slowly but surely dedicated fans of The Charlatans and Brit-pop enthusiasts began to fill in around me, but every time I glanced toward the back of the room, all I could see was emptiness. Where are all the people?

Thankfully, by the time Tim Burgess and company took the stage, the crowd had swelled to at least give the illusion that the room was as full as these Mancunian candidates for longest-running Brit-pop band deserve. The Charlatans may be at a point in their career where they don’t really care who shows up anymore though. Thursday’s wonderful show proved that be the turn-out large or small, they are putting on a great show either way.

At home in the UK, The Charlatans are still stadium-filling, festival favorites. In the US, where they never really ‘broke through’ like genre colleagues Blur or Oasis, The Charlatans have always been a specialty club act. I’ve seen them rock the 9:30 Club to adoring crowds several times. Their current tour comes after back-to-back canceled tours, and two albums that did not receive major release in the United States; in other words a 4-year absence from U.S. pop-consciousness that judging from Thursday’s turn-out may have finally marginalized them to being purely a nostalgia act.

Of course, any fan of The Charlatans that is reading this is probably cursing at the computer screen right now. I know I would be, because the case for The Charlatans’ originality and vitality as a group is especially strong when considering their new album “Who We Touch”, which drops in the US today. The new album ushers in yet another series of slight stylistic shifts that show off the versatility and enduring-nature of The Charlatans as a group. The new album is thankfully receiving major distribution in the U.S. and the band has finally physically made it to our shores to play some shows in support of it. Whether people show up for them or not remains to be seen. In DC on Thursday, a medium-sized crowd showed for what I am calling “the best show of 2010 that almost nobody went to”.

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Adventures, Entertainment, Music, We Love Music

We Love Music: All Tomorrow’s Parties NY 2010 (Day Three)

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All photos by author.

Coverage of Day One
Coverage of Day Two

The All Tomorrow’s Parties music marathon continued into day three on Sunday. The line-up for the third day of ATP NY is always hand-picked by an invited curator. In years past the curators of ATP NY have been My Bloody Valentine and The Flaming Lips. Being a DJ, I think this is one of the most unique and cool festival traditions ever; the curator basically gets to program their own music festival, sharing and sometimes inflicting their eclectic tastes with/on the world. This year ATP invited Jim Jarmusch to curate day three of ATP NY. Jarmusch is known as an guiding light in indie film making with films like “Mystery Train” and “Dead Man”, but he also has strong musical connections that make him an inspired choice to curate. Jarmusch’s films are chock full of great music and he has employed a host of great musicians as actors over the years ranging from Joe Strummer to GZA. Perhaps the most interesting and little known Jim Jarmusch music factoid is that the man himself was in a No Wave band in the early 80’s called The Del-Byzanteens. He even did a secret jam with No Age in a hotel room at ATP NY 2009.

Jarmusch did not disappoint as curator. His hand-picked programming featured a wide-range of styles including hip-hop, lo-fi, heavy psych, hardcore punk, blues, and doom metal. Attending ATP on Sunday was like living inside Jim Jarmusch’s iPod for a day. I spent most of the day hanging out at the second stage, which is set up in a large dining hall where one could imagine wedding receptions and bar mitzvah parties taking place for the last 50 years. ATP transforms this room into a bunker nightclub by blocking all outside light with blackout curtains which adds a weird London Blitz vibe to the place too. Second stage makes for a very odd setting to see live music performed and watching a day full of guitar freak-outs and psychedelic melt-downs there seemed like a perfect fit. Adding to the surreal nature of my second stage day, I kept seeing Jim Jarmusch everywhere!*

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Adventures, Entertainment, Music, We Love Music

We Love Music: All Tomorrow’s Parties NY 2010 (Day Two)

Sonic Youth @ ATP NY 2010
all photos by author.

Coverage of Day One
Coverage of Day Three

Saturday in the Catskills ushered in a chilly preview of fall weather along with Day Two of All Tomorrow’s Parties. On deck were two stages full of bands hand-picked by the All Tomorrow’s Parties staff to celebrate the 10th Anniversary of their festival series (which began in the UK with the Bowlie Weekender curated by Belle & Sebastian in 1999). In addition to the two stages full of premium indie rock, there were also trivia games, a cinema organized by the Criterion Collection, a book club, a film discussion with Thurston Moore and Jim Jarmusch, and various other fun distractions peppered through-out the Kutshers Resort.

Kutshers is an aged relic of the Borscht Belt and serves as the perfect spot for ATP NY every year. Imagine the hotel from Dirty Dancing gone the way of The Shining and you get a good idea of what this sprawling complex looks and feels like. The years of wear and tear show on every surface in the place, including in the Starlight Ballroom (main stage) and the Dining Room (second stage). The whole place feels like ATP found this former Class-A resort in a thrift shop somewhere. It has got the perfect level of funkiness and seclusion to make the whole ATP weekend feel like you are one of the castaways in an indie-music version of LOST. I staked my camp in the Starlight Ballroom all-day on Saturday to take in an unbelievably cool array of quality acts.

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The Winning Ticket: Surfer Blood

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

The ticket giveaways continue with the very now sounds of Surfer Blood at the 9:30 Club on Sunday September 12th.

What a difference a year makes. One year ago Surfer Blood were just another anonymous Myspace band from Florida. Like many bands before them they made the big gamble, packed their gear, and took the trek north to try their luck at the CMJ Music Showcase. At last year’s showcase, the mostly unknown, Surfer Blood played a whirlwind of 12 concerts and left the fest wearing a championship belt of buzz. They followed their CMJ win with a tour that hit DC9 late last year (or early this year?) and have since released their debut album “Astro Coast”. Now as their indie-notice year winds to a close, Surfer Blood are returning to CMJ in October as the festival’s headliner. They are a textbook indie success story and are poised to break-out huge if they can keep the music tight and the band drama to a minimum. Before Surfer Blood hit CMJ next month, this band of Florida rockers are making a victory lap of shows; one of which is the show this Sunday at 9:30 Club. If their success continues to compound as it has in their debut year, this show will be the last chance anyone has to catch Surfer Blood in a club for a long time.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. Tickets for this show are also available through Ticketfly If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts.

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Adventures, Entertainment, Music, We Love Music

We Love Music: All Tomorrow’s Parties NY 2010 (Day One)

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all photos by author.

Coverage of Day Two
Coverage of Day Three

Once a year the music geek Illuminati meet in their secret headquarters tucked deep in the Catskill Mountains of New York to revel in an orgy of booze, obscure band t-shirts, and unbelievable live music performances by the best-of-the-best in underground music past and present. They call their yearly gathering All Tomorrow’s Parties New York (ATP NY); this weekend the Catskills played host to the third such meeting of the music-minded with a phenomenal three day festival that is really unlike any other. Only at ATP NY could I be dancing at 2AM on a Sunday in a microscopic hotel lounge to the live DJ skills of Kool Herc (the undisputed father of Hip-Hop), spot Jim Jarmusch and GZA of the Wu-Tang Clan across the room, and get high-fived by a group of complete strangers because I am wearing a t-shirt for the obscure noise-rock band The God Bullies. For a music geek the trip to ATP NY is a pilgrimage that must be made at least once before you die. This weekend was my second time attending this spectacular celebration of live music and the international music-geek community.* It was one of the most pleasant and enjoyable weekends of live music I’ve ever had.

Each year ATP NY opens with an evening of full album sets as part of their Don’t Look Back series.** This year’s festival opened with the ridiculous Friday night line-up of The Scientists, Mudhoney, Iggy & The Stooges, and Sleep. Each would perform at the highest level and raise the bar for the band to follow. After watching the legendary Australian post-punk rockers The Scientists play their first ever US-show, Mudhoney time-warp us all back to the dirty and dangerous Grunge emergence, and The Stooges whip the crowd into a sweaty inferno fueled by their own mashed human bodies, Sleep emerged to crush us with two-hours of ultra-heavy stoner-doom metal. How any of us survived the first night to continue rocking for another two full-schedule days is a miracle.

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