great noise ensemble uploaded by hirshhorn
I want to like the Great Noise Ensemble. I really do. They are a plucky bunch of kids, fighting the good fight of aesthetic diversity, they play that post-minimalist, rock/chamber fusion that’s all the rage with the kids, they’ve won WAMMIES two years in a row, and they have a creation story that a Marvel hero could envy. Even more so, this town needs some new blood in its New (Concert) Music Scene, and an outfit that tries to play varied, forward-looking repertoire would be a great addition to the community.
GNE performed Wednesday evening at the Harmon Center for the arts, the ensemble’s second performance in as many years at the Capital Fringe festival, another young, forward-looking organization that is growing in leaps and bounds. The concert, entitled ‘Carnal Node: Sex Noise and Lies in the Internet Age’ showed off the good and the bad about this group: Rhetoric surpassing event, ambition surpassing execution, but all with a promise of better things to come.
The program title sets up a rather specific theme for the show, but only one of the pieces seems to bear much relation to it— rather than telling us anything new about relationships, or technology, or lying, the program as was rather more interested in placing GNE firmly in the rock-derived, post-minimal camp exemplified by the many-tentacled corporate entity known as Bang on a Can; indeed one work had been commissioned and first performed by BOAC through the ‘People’s Commissioning Fund.’ The instrumentation varied from electric bass, guitar, drums and brass to soprano and an ‘extended pierrot,‘ but all the work played with rhythm and phrasing in a manner more akin to Talking Heads than to Mozart, searching for that sweet spot between ‘concert music’ and ‘popular music.’
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