I’m reviewing eight plays over eight days for the 2010 Capital Fringe Festival, in collaboration with DC Theatre Scene. Get your button and join me!
One of the challenges of reviewing Fringe theater is determining how much weight to give earnest performance over clumsy material. But with so many productions to choose from, with your time and money on the line, I’d rather be blunt than kind.
Darfur: The Greatest Show on Earth! thinks itself mighty clever, contrasting genocides in Nazi Germany and the Sudan under the guise of a big-top circus subverting the cliches of musicals. But it’s merely a muddle of ethical issues, preferring to preach at the audience rather than to be truly brave. When Theater J’s stunning In Darfur simply broke a refugee’s legs on stage, that was theatrical power at its most subversive. But being screeched at to get out of my chair and take political action, as in this performance? Just not effective.
The faults of Darfur: The Greatest Show on Earth! are really the faults of the writer, Jonathan Fitts. The naive plot lines – in the past a Nazi Guard grapples with his bigotry in the face of an innocent child, while in the present a Janjaweed soldier fights his love for a refugee – make for an awkward, clumsy musical that would need a very strong directorial hand to make it as gutwrenching as it seems to think it is. Continue reading