Entertainment, Music, We Love Music

We Love Music: Gang of Four @ 9:30 Club, 2/9/11


courtesy of Gang of Four.

In 2005, the return of Gang of Four felt vital. Playing to a packed 9:30 Club, touring in support of ‘Return the Gift’ on which they re-recorded most of their greats, the original Gang of Four roster played a blistering set that left us breathless and neck-sore from the sudden aural thrashing they gave us. The surprising vigor and fury that this 25-year old band played with in 2005 seemed to deliver a message to the droves of post-millennial-shift, post-punk pop revivalists that said “This is how its done”. Danceable rhythm and angular guitars amount to little substance without the spit and anger, the passion and snarl, the political outrage and razor sharp criticism. It was one of the best shows of the year.

In 2011, the return of Gang of Four feels somewhat unnecessary and yet it is welcome. Playing to a 3/4 full 9:30 Club on Wednesday night, touring in support of a strong new album ‘Content’, the reconstituted Gang of Four (featuring Jon King and Andy Gill with a new rhythm section) played an uneven set that entertained us and occasionally thrilled us but did not come close to the impact of their last reunion run. Part of the reason for this was the uneven mix of new songs and classics, part of it was the slightly off chemistry of the new line-up, and part of it was the fast and loose nature of the performance which lacked the ruthless reclaiming-the-title motivation of their 2005 shows. Even with the lumps though, this show was a fun one that offered enough highlights to make for a fine night of music and ended with a fantastic finale that finally tapped into some of that 2005 tour magic.

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Entertainment, Interviews, Music, People

Q&A with Henry Rollins


courtesy of Henry Rollins.

At this point does Henry Rollins really require an introduction? Since the hardcore punk era Rollins has been a jack-of-all-trades entertainer and thought-provoker with his bands, books, acting gigs, radio shows, spoken word tours, stand-up comedy, and most recently two National Geographic television specials about ‘the warrior gene’ and about snakes! Rollins grew-up in DC and to celebrate his 50th birthday on Sunday (50th!? We’re getting old!) he is coming home to put on two sold out shows at National Geographic’s Grosvenor Auditorium. I recently caught up with the notoriously tight-lipped Rollins and wrestled a few answers out of him.

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Entertainment, Fun & Games, Music

The Winning Ticket: Slightly Stoopid

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

This week we are offering up a winner’s choice! We are raffling off a pair of tix to catch Slightly Stoopid and Fishbone perform at 9:30 Club next week. Since the two bands are dropping their ska, reggae, funk grooves on Wednesday (2/16) and Thursday (2/17) our winner not only gets to rock out but also gets to choose which night he or she wants to do so! Just let us know your preferred night when you leave your comment below.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts. Tickets for this concert are available on Ticketfly.

For the rules of this giveaway…
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Entertainment, Music, We Love Music

We Love Music: Chromeo @ 9:30 Club, 2/6/11

IMG_7473
All photos by Michael Darpino

Per Michael’s advice, I thought I’d cruise over to the 9:30 Club on Sunday night to dance with single ladies with good taste in music. I even came up with the perfect line – “excuse me, do you care about sports? Me neither.”

Okay, not entirely true. I try to care about football at least once a year, so I caught the first three-quarters of the Super Bowl. And I pretended to be heartbroken when I had to leave before the final quarter to catch Chromeo. They played two shows this weekend – Saturday night’s sold out forever ago, but The Game meant there were still tickets for Sunday. But even with competing activities, Chromeo nearly filled the club. It proved to be a great venue for these guys – with a full stage setup, complete with stadium-style lighting, backup dancers, and their trademark sexy-leg-synthesizers, Chromeo showed off their bona-fide rock star credentials.
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Entertainment, We Love Music

We Love Music: Fern Knight/The Plums @ Comet Ping Pong, 2/5/11


Courtesy of Fern Knight.

The back room is filling up at Comet Ping Pong in anticipation of two intriguing bands set to showcase their sound and songs. Ping Pong tables are being pushed aside to make way for the crowd as the rather confused method of having people go back and pay a cover charge takes place. Martin Bisi and band [correction: The Plums]* set up and go through the laborious sound check as everyone eagerly awaits the music. And this is a fine bill with the talented New York based producer/engineer Bisi leading a band that sound a bit like some of the bands he has worked with such as Sonic Youth and Swans followed by Fern Knight, an always interesting DC/Philadelphia band with wonderful psyche and folk elements in their songs.

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Entertainment, Music, We Love Music

We Love Music: Monotonix @ Comet Ping-Pong, 2/4/11

Monotonix at Comet 018
All photos by author

So this is what anarchy feels like.

Even with over 700 shows under their belt, Monotonix’s show on Friday night at Comet might’ve been the best chance to catch them on this tour. For reference, their show earlier this week in L.A. attracted 600 fans to a tiny venue – the cops ended up shutting down the show. Comet, on the other hand, can only hold 120 people in the back room. The show was sold out around 11pm, and the staff were kicking out people who didn’t have tickets, to stay within fire code.

For those lucky enough to get in, Comet’s back room was ideal for vocalist Ami Shalev’s antics. Sure, I’m a big fan of Monotonix’s brand of garage rock – noisy, positive, exciting, with energetic drums and dirty guitar licks. But a Monotonix show is more performance art than concert. The packed crowd offered a platform for Ami to climb around the room on our arms and shoulders, using every bit of space in the room from the floor to the rafters. I’ve never seen a band so utterly destroy the 4th wall between band and audience.
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Entertainment, Music, We Love Music

We Love Music: Girl Talk @ 9:30 Club, 2/1/11

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All photos by Andrew Markowitz

If you’re looking for a good dance party, you can’t do much better than Girl Talk.

Gregg Gillis, the man behind the moniker Girl Talk, sits as the king of the mash-up, where different parts of different songs are combined into a track that’s both retro and fresh. The genius of Girl Talk is that he shifts from one part to the next so quickly that it doesn’t get stale – before you can name that tune, it’s on to the next one. It’s the perfect soundtrack for the ADD generation.

I thought that the best way to enjoy Girl Talk was to sit around with your friends, drinking beers and calling out which Radiohead beats were mixed with which Missy Elliot verses. Of course, Girl Talk’s music is solid enough to stand on its own, beyond being just a long game of ‘name that tune’, and the live show propels it to a new level. It seizes your attention and never lets go. If you stop paying attention, you’re bound to get hit in the face with toilet paper propelled by a leaf-blower.
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Entertainment, Music, We Love Music

We Love Music: Robert Plant @ DAR Constitution Hall, 2/1/11


courtesy of RobertPlant.com

Like many people my age, we grew up as big fans of Led Zeppelin. They had the power and the superstar aura about them. They seemed far more mystical and untouchable than many of the other big bands of their day, akin to latter day Beatles perhaps. It has been interesting to follow the individual members since that time, as they have been much more down to earth in accessibility both personally and musically. John Paul Jones worked with Foo Fighters and Queens of the Stone Age members, Jimmy Page plays often and is open for interviews and was even featured in the documentary “It Might Get Loud”. Yet it is Robert Plant who has been most active with album releases. He has released a ten-disc box set covering his career and has since added an award winning duet CD with Alison Krauss. Now he is touring in support of his latest album with another solid group called Band of Joy.
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Entertainment, Music, We Love Music

We Love Music: The Radio Dept. @ Rock & Roll Hotel, 2/1/11

Radio Dept.
all photos by Erin McCann.

On Tuesday night, bodies were packed like sweaty sardines into a very sold-out Rock & Roll Hotel to see the Swedish dream-pop trio The Radio Dept. This much anticipated show was an early date on their current U.S. tour in support of their career-spanning retrospective “Passive Aggresive”. But for most of the young audience the show was really the first chance to see The Radio Dept. since they released their excellent 2010 album “Clinging to a Scheme”. This is easily their most mainstream accessible work and it was obvious that a lot of the chatty crowd were only there to hear songs from that album. The set list featured a lot of non-album singles, a few older album tracks, and the highlights from “Clinging to a Scheme”. Unfortunately a combination of the sell-out crowd making the room very uncomfortable, early technical difficulties, audience rudeness, and a complete lack of showmanship from the band made this concert much less than the stellar, atmospheric-pop display that I was expecting.

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Entertainment, The Daily Feed, We Love Arts

We Love Arts: The Carpetbagger’s Children

(Seated) Kimberly Schraf as Cornelia, Holly Twyford as Sissie, and Nancy Robinette as Grace Ann in the Ford’s Theatre Society production of Horton Foote’s “The Carpetbagger’s Children,” directed by Mark Ramont. Photo by T. Charles Erickson.

It’s no surprise.

Much like everybody else around Washington, I am not locally born and raised. I was born in Lowell, Massachusetts and grew up in the neighboring town of Chelmsford. Before the city gained attention as the setting of The Fighter, it was known as a historic mill city  and one of the centers of the Industrial Revolution. Everything from canal tours to textile museum visits were regular rites of passage for the local school-aged children. While it was fun to ride in a boat through locks, learning about the finer points of looms and wooden dynamos were not the most entertaining of topics.

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Comedy in DC, Entertainment, Night Life

Comedy in DC: Chris Barylick

Chris Barylick yellow

Chris Barylick, founder of the Geek Comedy Tour, met up with me at the very crowded Tynan coffee house in Columbia Heights this past weekend. We were fortunate to find two seats by the coffee machine. For a minute we stared at this knitting club that was hanging out right next to us. That was the first knitting club I have ever seen. It looked like they were having fun, but come on! I don’t get how people can just plant themselves at a coffeshop for hours and hours like it’s their den and think that it’s cool.

Anyway, Chris, 33, is from Providence, Rhode Island and moved to DC in 1996 and has been performing stand up for the past six years. Additionally, he runs an open mic at the Eleventh Street Lounge in Clarendon, VA every Monday. The first time I met Chris was at his open mic there. The weather that night was a little brutal, but a lot of comics showed up to do their thing. Chris announced the lineup of comics that were going to perform and then we moved down to the basement.  Continue reading

Entertainment, Music, We Love Music

We Love Music: Office Of Future Plans @ The Wind-Up Space, 1/28/11

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“Office of Future Plans” set by author.

I went up to Baltimore on Friday for a night of good old fashioned American indie rock. The kind of early to mid-90’s, DIY-fueled, noisy indie rock that produced local legends like Ian MacKaye and J. Robbins. I guess it’s what music historians are calling post-hardcore these days. Emotional rock music with hardcore’s heart but with a compositional sophistication that punk could never pull off. This music has got guts and up tempos and expresses deep emotion without ever sounding limp or boring. It is music that can keep a room full of people moving or just as easily soundtrack your loneliest moment.

The big draw for me on Friday was finally seeing Office of Future Plans headline a show. This is J. Robbins’ new project that he has been incubating for almost two years now. Anything new from J. Robbins of Jawbox (et al.)* is going to peak my interest, but I had been hearing great things about his latest group and I wanted to check them out in the right setting. A special bonus on the bill was SPRCSS, a mysterious post-punk band with minimal internet presence, who surface like a submarine surprise attack every few years to blow audiences away with their select performances. Kicking things off was Baltimore’s own psychedelic freak-out heroes, Whoarfrost. Watching this spastic, noisy triple bill in The Wind-Up Space really took me back to my first days in DC, back when almost every other night offered great shows full of sonically interesting, passionate, local indie-rock bands who mixed power and emotion perfectly.
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Entertainment, Fun & Games, Music, We Love Music

The Winning Ticket: Chromeo

As a way to say thanks to our loyal readers, We Love DC will be giving away a pair of tickets to a 9:30 Club concert to one lucky reader each week. Check back here every Wednesday morning at 9am to find out what tickets we’re giving away and leave a comment for your chance to be the lucky winner!

This is our first repeat offender on The Winning Ticket! Last summer when we gave away Chromeo tickets our readers lost their collective mind in the mad scramble to win the coveted prize. Shall we try for a repeat?

This week we are giving away a pair of tickets to see…the Canadian reincarnation of Hall & Oates…yes…Chromeo at 9:30 Club on Sunday, February 6th. Frankly, I considered these guys a musical joke that I didn’t quite get until I saw them perform in the Dance Forest at last year’s Virgin Mobile FreeFest. Their brilliant, sunset, synthesizer party caught me completely off guard and made me an instant convert to their cheesy/sexy/silly 80’s throwback electronic monster jams. There is something magical in Chromeo’s music that gets the party going from that first massive, warbling synth tone and keeps the energy up until their final Tenderoni ballad.

For your chance to win these tickets simply leave a comment on this post using a valid email address between 9am and 4pm today. One entry per email address, please. If today doesn’t turn out to be your lucky day, check back here each Wednesday for a chance to win tickets to other great concerts. Tickets for this concert are available on Ticketfly.

For the rules of this giveaway…
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Entertainment, Music, The Features, We Love Arts

The Washington Performing Arts Society Presents: Jazz at Lincoln Center Orchestra with Wynton Marsalis


Photo by Rachel Levitin

Jazz – and Country/Bluegrass – are the dominant proprietors of modern “Made in America” music and that’s something worth holding on to. In its inception, Jazz defined an era of youth during tumultuous times. That was its claim to fame. That’s what got it notice. That’s what shot it to the forefront of popular culture during World War II.

Jazz defined an era of uncertainty. It ushered in a voice for the speechless. It provided a musical and mental solace for people who wanted to feel something beyond a war being fought or a job lost or anything besides the monotony of their daily routine. Jazz was the sanctuary and swing was the medium. Throw in a little Blues for a cherry-on-top flourish and by golly you’ve got yourself a true American portrait – an American testimonial.

If Jazz was personified, its equivalent would be akin to the likes of the always effervescent, charismatic, and talented Louis Armstrong. The New Orleans trumpet player, born in 1901, wasn’t the first Jazz trumpet player in the history books but he is an icon of the genre. Wynton Marsalis is a Louis Armstrong for the new millennium. Continue reading

Entertainment, The Features, We Love Arts

We Love Arts: The Comedy of Errors

(L-R) Dromio of Syracuse (Nathan Keepers) and his master, Antipholus of Syracuse (Darragh Kennan), in The Comedy of Errors, on stage at Folger Theatre through March 6, 2011. Photo: Carol Pratt.

Life can get far too serious sometimes. So can theater. Whatever happened to pratfalls? How about seeing a guy get a wet willy? Who doesn’t love a clown?

If you’re at all down lately, The Comedy of Errors at the Folger Theatre will perk you right up. It’s full of the childish pleasures of old-fashioned clowning and mercifully uncomplicated (apart from Shakespeare’s pesky plot concerning two sets of identical twins, of course!). I actually debated writing a review that would consist of just three words: “Sweet. Simple. Good.”

The first thing you notice upon entering the theater is Tony Cisek’s gorgeous set, like the waiting hall of a Victorian train station seen through the eyes of a passenger on the Yellow Submarine. Its antic colors instantly telegraph that you’re in the circus world of comedy, and thankfully, that’s just what we need. Next up is director Aaron Posner’s framing device – the presentation by British director Timothy Tushingham (Bruce Nelson) of a rough-cut documentary on his dysfunctional players, the Worcestershire Mask & Wig Society, earnestly touring the States. This preamble doesn’t really do much other than put you in the proper frame of mind to laugh, and to accept the British accents and anachronisms the actors use throughout the rest of the production.

But it’s sweet, and funny, and again – isn’t that what you need right now? I’m tired of being jaded. I enjoyed my time in Ephesus, where everyone knows your name but has no idea exactly who you really are…  Continue reading

Entertainment, Music, We Love Music

We Love Music: Archivists/Fluorescent Sense/Southern Problems @ the Rock & Roll Hotel, 1/28/11

Rock & Roll Hotel’s upstairs bar was packed with the usual Friday night denizens dancing away to the predictable throbbing drumbeats of the hired DJ. The downstairs bar was the place to be for rock music fans wanting to catch three fine, up-and-coming, local DC bands displaying their original songs and rock musical acumen. Archivists were headlining tonight, but on a good local bill like this, all three bands were given a full chance to provide a set of their original music to fans, friends, and people wanting to have something more than just a DJ’s beat with their buzz. And Archivists, Fluorescent Sense and Southern Problems delivered the goods.

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Entertainment, Music, The Daily Feed

Hot Ticket: Office of Future Plans @ The Wind-Up Space, TONIGHT!

By now maybe you have heard some rumblings about Office of Future Plans. They have slowly but surely been building up buzz over the past year or so with select opening slots and some low-profile headline gigs around town and in Baltimore. After opening for one of The Dismemberment Plan reunion shows last weekend and this week revealing their first recorded music in the form of an excellent 7″/digital single (pictured above), Office of Future Plans are poised to break-out as one of the most exciting new bands of the DC-Baltimore region.

There is a lot to get excited about here. First and foremost is that OoFP is the latest band put together by indie-legend J. Robbins. In these parts Robbins is considered indie-royalty for being in or founding several great area-based bands like…oh let’s see…Government Issue, Burning Airlines, Channels, Report Suspicious Activity, and Jawbox (just about the best 90’s band ever). To form Office of Future Plans, Robbins has enlisted some old DC/Baltimore music pals like Darren Zentek of Kerosene 454, Brooks Harlan of Avec, and rock cellist Gordon Withers. Together the four are creating some terrific angular, post-hardcore sounds that rank right up there with some of Robbins’ best.

Office of Future Plans plays tonight in Baltimore at The Wind-Up space with mysterious, post-punks SPRCSS and Baltimore’s own spazz-rock kings Whoarfrost.

Office of Future Plans
w/ SPRCSS & Whoarfrost
@ The Wind-Up Space
1/28/11 – 9pm
$7

Entertainment, The Daily Feed

Oscar Watch: A Look at the Nominees With the DC Film Society

Photo courtesy of
‘Academy Award for Snow White and the Seven Dwarfs at the Walt Disney Family Museum’
courtesy of ‘Loren Javier’

I love this time of year.

Awards season.

I rolled out of bed this past Tuesday to watch the nominations for the 83rd Academy Awards and after Monique finished reading off the names, the clocked started.

As of right now I have a little over 31 days and counting to watch 56 films. All 56 films nominated for an Academy Award this year.

It’s something I’ve been doing for a few years now, and it’s a challenge I’ve yet to fully complete. Last year I managed to watch 46 out of the 58 Oscar nominated films.

This year I’m ready to give it another go, and last week I thought I’d visit some film geeks that would share the same excitement. I dropped in on a meeting of the DC Film Society’s Cinema Lounge discussion group. The group meets on a monthly basis to talk about various topics in film. The topic of that night: Oscar Prognostication. I listened and quipped in some thoughts as the small group argued over potential nominees and attempted to predict who would get a nod from the Academy.

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Entertainment, The Features, We Love Arts

We Love Arts: Tynan

Philip Goodwin in Tynan at the Studio Theatre. Photo credit: Carol Pratt

Anyone who arrives at self-knowledge through desperation is the raw material for a great play.
— Kenneth Tynan

Watching Tynan reminded me that I should make sure my journals get burned at my death (oh wait, what about that online diary in the cloud? too late!). No matter how we are in life, the voice we give free rein to in our diary is by its nature egocentric. Does it make for good drama?

Richard Nelson and Colin Chambers adapted The Diaries of Kenneth Tynan into a one-man play, helmed in this special engagement by beloved DC actor Philip Goodwin at the Studio Theatre. It’s a monologue of choice (and not-so-choice) moments from the last ten years of Tynan’s life, a man many consider the greatest theater critic of the last century. There’s a heavy resignation in listening to the musings of a dying man, and this adaptation is more a conventional staged reading than anything approaching the revolutionary theater Tynan championed. Unless of course, you think it’s subversive to hear all about his fascination with canings and an anal fixation to rival the Marquis de Sade’s – there’s a lot of that to listen to in this adaptation. As the impresario behind Oh! Calcutta and the first person to drop the f-bomb on the BBC in 1965, Tynan was a famous proponent of obscenity, so it isn’t completely out of place.

If you have a theatrical background there are fun anecdotes of personalities like Olivier to keep your interest, and if you are familiar with Tynan’s work, enough of his philosophy comes through to inspire. But if you know nothing about him, I’m not sure you’ll get anything more than a sad sense of a once-brilliant man being wrung thin by sickness, debauchery and the end of life.

And where’s the relevance in that? (Tynan would’ve spanked me for asking that!) Continue reading

Entertainment, Music, The Features, We Love Arts

We Love Arts: STOMP at Warner Theatre

Not one word was uttered on stage during Tuesday’s debut performance of STOMP at D.C.’s Warner Theatre. That’s when I realized STOMP is a communication tool. This unique blend of musical theatre stage presence combined with choreographed percussion, movement and physical comedy is more expressive than a singular conversation.

What started as a street performance in the UK has grown into one of the biggest international performance sensations of the last two decades, selling out shows in over 350 cities and 36 countries. STOMP takes all of the fun stuff that annoyed your parents when you were a kid and makes it socially acceptable. Why is it socially acceptable? Because it’s art!

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