Double exposure photographs can produce some fascinating and unpredictable results. But Erin’s shot above is aligned so well I’m suspicious that she planned this shot (which is possible, though quite difficult). In her shot, the viewer’s eye is drown to the statue centered in the picture, nicely framed in the black strip. Then the graffiti on both sides of the statue gives the photo a level of texture as well as more material for the viewer to explore. These two exposures, though very different, were well chosen to complement each other. It’s also a very complicated shot, with a great deal of material for the viewer to take in. Great work!

Brian Mosley

Brian is so DC. Born on Pennsylvania Ave (not there) to a lifelong Federal worker father and a mother who has worked for Garfinkel’s, the Smithsonian, and Mount Vernon. Raised on the “mean streets” of Cheverly, MD; went to high school at Gonzaga College High School (Hail Alma Mater!); and now trolls the corridors of Congress as a lobbyist, you couldn’t write a more quintessentially DC back-story. When he isn’t trying to save the country from itself, Brian can be found walking DC looking for that perfect photograph.