Sweet Land of Liberty
courtesy of TheRobbStory
Normally an overexposed picture is not something a photographer wants. Washed out details and weird plays of light can ruin a shot. But, if done just right, an overexposed photo can add a fascinating depth too.
Take Robb’s photo above. It is a noticeably long shot; clocking in at an 8 minute exposure, it’s long even for a long exposure. With the shutter open for so long it allows the camera to pick up the entire light beams from the Capitol’s spotlights, creating a nice framing effect. Also, if you were to only take a quick glance, you’d think there were no people in the shot; but if you look closer, you’ll see the blurring effect of people’s movement at the base of the building. (Added bonus: Look really closely and you’ll see the distinct out line of a family portrait being taken.) The black and white film (yes, it is an analog shot) allows the viewer to focus more on the composition of the photo and not be distracted by any off colors. Yes, overexposed but not ruined, the shot is definitely a keeper.
Brian is so DC. Born on Pennsylvania Ave (not there) to a lifelong Federal worker father and a mother who has worked for Garfinkel’s, the Smithsonian, and Mount Vernon. Raised on the “mean streets” of Cheverly, MD; went to high school at Gonzaga College High School (Hail Alma Mater!); and now trolls the corridors of Congress as a lobbyist, you couldn’t write a more quintessentially DC back-story. When he isn’t trying to save the country from itself, Brian can be found walking DC looking for that perfect photograph.
